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LOU'S VIEWS: At Eiteljorg, it's all in the family

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Lou Harry

This week, free-associating across the arts landscape from the “Generations” show at the Eiteljorg Museum to “Heartland Art” and a one-man play at the Indiana State Museum to the Broad Ripple Art Fair.

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The temporary galleries at the Eiteljorg Museum are a bit crowded these days. That’s because the curatorial staff has decided not to hold back any of the extensive, impressive Helen Cox Kersting collection that was gifted to the museum back in 2008.

And so nearly 800 pieces–jewelry, baskets, weavings, pottery, and more—are on display. Smart organization can only go so far to counter the feeling you’re entering a warehouse environment.
 

vase Jacob Koopee's pottery comes to the Eiteljorg as part of the Helen Cox Kersting Collection. (Photos Courtesy Eiteljorg Museum)

That’s not to diminish “Generations (through Aug. 8). It’s just to say that you should go prepared to be a little overwhelmed when you walk in and to not feel guilty for skipping over whole showcases of high-quality work in the interest of avoiding overload.

The title of the show refers both to the collectors and the artists. Kersting built the world-class collection on that of her parents, who began acquiring work in the 1930s. And much of the work comes from artists related to each other, working both together and separately. Grouping such work helps show the way tradition and innovation find new balance from grandparent to parent to child and how siblings have reacted artistically to the same influences.
 

bracelet Artists Carl and Irene Clark teamed up on this intricate microfine inlay bracelet. (Photos Courtesy Eiteljorg Museum)

Advice: Take the time to consider the detail, whether in the intricately carved animals on the pots of Wallace Nez or the black-on-black work by Mary Martinez and family. And take just as much time to consider the control Dominique Toya needed to create her stunning abstract swirl vessel or Carl and Irene Clark used in their micro fine inlay jewelry.

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The Eiteljorg’s White River State Park neighbor, the Indiana State Museum, is also featuring a time-spanning show. “Heartland Art: Selections from Your Indiana Collection” (through Feb. 13) features the work of Hoosier artists, past and present. T.C. Steele, William Forsyth et. al. are, of course, represented along with distinct work from contemporary artists Valerie Eickmeier (the sculpture “Spirit Boat II,” with branched legs and sprouting surface), John Domont (with a painting featuring his signature bold colors and geometric landscape), Matthew Davey (with a troubling portrait of a contemporary man) and others.

Without making a strong overall statement or demanding a special trip, the show offers an appealing, if low-key introduction to the ISM’s collection.

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After a visit to the exhibition, I returned to the Indiana State Museum for a performance of Rita Kohn’s play “Before the Shadows Flee” (which ran May 16-22). The Fringe-length show provided a look into the heart and mind of actor Edwin Booth, poignantly caught between the influence of his adored father and the infamy of his notorious brother.

Presenting the show in a museum can’t help but add a layer of “history-is-good-for-you” to the proceedings, but Kohn’s play—and Ron Spencer’s performance—offer much more than that. As with many solo shows, there isn’t much of a dramatic arc and some of the transitions are stilted, but the play provides both historical surprises to those unschooled in Booth history (the attempted shooting of the actor while on stage, for instance) and compelling character moments. The combination of strong actor, deft playwright, and interesting historic figure more than made up for the lack of set, elaborate lighting, or other theatrical trappings.

In addition to its own pleasures, Spencer’s recitations (as Booth) of soliloquies from Hamlet and his villainous uncle Claudius—both of which echo Booth’s own story—left me wanting to hear and see Spencer perform more Shakespeare.

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Ron Spencer’s home base, Theatre on the Square, provided one of the booth highlights at this year’s Broad Ripple Art Fair (May 14-15).

There, a human-sized pink flamingo (performed by an anonymous actor) not only promoted TOTS’ upcoming production of “Great American Trailer Park Musical,” but also—I hope—reminded other arts groups that just signing up for a booth and talking someone into solemnly staffing it is a wasted opportunity.

It’s called showmanship, folks. And when you have an audience of potential converts, why settle for just sitting in a chair and hoping someone comes up to chat?

That doesn’t mean every cultural booth needs to be outrageous, of course. But Theatre on the Square created something that not only gave a sense of the company’s spirit, it also linked directly to an upcoming production. Other groups could learn from that example.

You never know who might be a potential ticket buyer … or check-writer.•

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This column appears weekly. Send information on upcoming A&E events to lharry@ibj.com. Visit www.ibj.com/arts for more reviews, previews and blog posts.witter: IBJarts

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  1. So much for Eric Holder's conversation about race. If white people have got something to say, they get sued over it. Bottom line: white people have un-freer speech than others as a consequence of the misnamed "Civil rights laws."

  2. I agree, having seen three shows, that I was less than wowed. Disappointing!!

  3. Start drilling, start fracking, and start using our own energy. Other states have enriched their citizens and nearly elminated unemployment by using these resources that are on private land. If you are against the 'low prices' of discount stores, the best way to allow shoppers more choice is to empower them with better earnings. NOT through manipulated gov mandated min wage hikes, but better jobs and higher competitive pay. This would be direct result of using our own energy resources, yet Obama knows that Americans who arent dependent of gov welfare are much less likely to vote Dem, so he looks for ways to ensure America's decline and keep its citizens dependent of gov.

  4. Say It Loud, I'm Black and Ashamed: It's too bad that with certain "black" entertainment events, it seems violence and thuggery follows and the collateral damage that it leaves behinds continues to be a strain on the city in terms of people getting hurt, killed or becoming victims of crimes and/or stretching city resources. I remember shopping in the Meadows area years ago until violence and crime ended make most of the business pack you and leave as did with Lafayette Square and Washington Square. Over the past 10 to 12 years, I remember going to the Indiana Black Expo Soul Picnic in Washington Park. Violence, gang fights and homicides ended that. My great grandmother still bears the scares on her leg from when she was trampled by a group of thugs running from gun fire from a rival gang. With hundreds of police offices downtown still multiple shootings, people getting shot downtown during Black Expo. A number of people getting shots or murdered at black clubs around the city like Club Six on the west side, The Industry downtown, Jamal Tinsley's shot out in front of the Conrad, multiple fights and shootings at the skating rinks, shootings at Circle Center Mall and shooting and robberies and car jackings at Lafayette Mall. Shootings and gang violence and the State Fair. I can go on and on and on. Now Broad Ripple. (Shaking head side to side) Say It Loud, I'm Black and I'm Ashamed.

  5. Ballard Administration. Too funny. This is the least fiscally responsive administration I have ever seen. One thing this article failed to mention, is that the Hoosier State line delivers rail cars to the Amtrak Beech Grove maintenance facility for refurbishment. That's an economic development issue. And the jobs there are high-paying. That alone is worth the City's investment.

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