May 18, 2013
Lou HarrySeason closer tackled Wagner's large-scale seafaring tale. Plus, thoughts on ‘4000 Miles’ at the Phoenix Theatre.
More
April 18, 2013
Lou HarryThe IRT's "A Midsummer Night's Dream" and the Phoenix' "Clybourne Park" offer pleasures whether you are seeing these plays
for the first or fifth time.
More
March 30, 2013
Lou HarryA pack of conferencing critics had their eyes opened to Indy’s arts pleasures. In turn, they opened my eyes to some
things I shouldn’t take for granted.
More
February 9, 2013
Lou HarryWhen a region stands to lose one of its finest actresses, a critic can't be too proud to beg
More
January 12, 2013
Lou HarryWhether in a dog-eared magazine or on the gallery walls of the Eiteljorg Museum of American Indians and Western Art, the photography
from National Geographic magazine continues to stun.
More
December 28, 2012
Lou HarryWith so much to choose from, it's impossible to say what was best. Instead, here are some of my favorites of the year.
More
December 8, 2012
Lou HarryTradition, by definition, involves familiarity. And three of the top Indy on-stage holiday offerings embrace tradition in
their own way.
More
October 6, 2012
Lou HarryNew experiences are still what's important to the 30-year-old theater.
More
June 16, 2012
Lou HarryI’ve been taking my kids and their pals to Conner Prairie for 15 years. But the most recent visit was the first time
they wanted to spend the whole time in Prairietown.
More
June 9, 2012
Lou HarryThe food at Beef & Boards is pretty good, all Vonnegut movie adaptations are not awful, and Jennie DeVoe doesn't play
at every local festival.
More
May 26, 2012
Lou HarryWhat's new at the Zoo. Plus thoughts on "Forever Sung" and "Antigone."
More
February 25, 2012
Lou HarryPhoenix Theater offers Indiana premiere of "August: Osage County," a sprawling, brutally intimate epic both intensely
personal and apocalyptic.
More
January 21, 2012
Lou HarryIndiana Repertory Theatre's "Radio Golf," the Phoenix's “Current Economic Conditions,” and Indianapolis
Symphony Orchestra rely on character-driven shows.
More
December 24, 2011
Lou HarryHighlights included the ISO's Opening Night Gala, Civic's "Drowsy Chaperone," and the opening of the Miller House.
More
December 10, 2011
Lou HarryLooking for live holiday entertainment this season? How edgy do you want it? Thoughts on No Exit's 'The Nutcracker,' ISO's
'Yuletide Celebration,' and 'A Very Phoenix Xmas 6.'
More
October 1, 2011
Lou HarryThoughts on the Phoenix Theatre's "Spring Awakening" and Indianapolis Opera's "Madama Butterfly."
More
September 3, 2011
Lou HarryIntroducing a subjective short-list of Indy’s clutch-hitting actors, all of whom have created magic in the past and
will be seen on local stages this season. (with videos)
More
July 30, 2011
Lou HarryReports on shows by Actors Theatre of Indiana, the Phoenix, ComedySportz, the Indianapolis Symphony Orchestra and more.
More
June 11, 2011
Lou HarryThe R-rating-worthy, 'Sesame Street'-style show gets its regional theater premiere at the Phoenix.
More
April 9, 2011
Lou HarryThoughts on Savion Glover at the Palladium, 'This' at the Phoenix, and 'Annie Get Your Gun' at Beef & Boards.
More
March 12, 2011
Lou HarryIs theater dead? Three different productions from three different companies over the past few weeks point to some ways to
counter—or at least hold off—the decline.
More
January 15, 2011
Lou HarryIn a single weekend, three Indy professional arts groups offered first looks in dance, music and drama
More
December 4, 2010
Lou Harry"A Christmas Carol," "A Very Phoenix Xmas," and "A Beef & Boards Christmas" all get regifted for the holidays.
More
November 6, 2010
Lou HarryIn more and more plays, actors are addressing the audience directly. But when does a device become a crutch?
More
July 17, 2010
Lou HarryThis week, "Reasons to be Pretty" at the Phoenix Theatre, plus Famous Monsters and InConjunction conventions.
More
First, the Athenaeum is going to have to get past the hurdle with the Lockerbie residents and the agreement that the parcel would be residential. Second, and in my opinion, this prime piece of property should include parking, PLUS, a black box theater(s), some market rate and affordable artist housing and a plan to renovate and reconfigure the second story theater. I would negotiate to add the DeHaan property surface parking lot into the development mix, place a one story surface parking garage on the DeHaan lot on the street level (for the Dehaan tenants use during the daytime) and add a second story to the garage that would become an addition to the current second story theater and then change the direction of the theater by moving the stage across the alley and on top of the DeHaan lot parking. You can add all the stage elements that are currently missing from the Athenaeum stage to make it more attractive for use by Ballet, Opera and traveling productions. Plus, the theater changes would probably help solve some of the soundproofing issues. Alas,it does not seem to be a part of the strategic plan to conduct a study to determine best use of the property. Seems like the current plan is a quick and easy move that ignores the property best use/potential and any strategic property planning for the effect on future generations.
I recall that MSA's pilings are still in the ground and hard to remove. It’s not likely any proposal will include significant underground construction/parking because of this. Start adding 2 floors of retail, 8 floors of parking and 5-10 floors of possible hotel, and/or 10-20 floors of residential, and you are at 30 floors already with possible expansion of all the uses. But then again I could be wrong.
Accoriding to their website there is no deadline to the Do Not Call list. What is this article referring to??
On what planet are they entitled to this largesse from the stockholders? These people make multi-million dollar salaries: Pay for your own personal travel.
It matters because they're already paid enormously fat salaries: Pay for your own personal travel. Being "taxed on it" isn't a valid excuse--so what? They're still being gifted a raft of luxury perks from somebody else's money on top of an enormous, lavish salary.