What would you do with $10 million? Indiana Health Information Technology Inc. wants to spend it to link
five medical records exchanges that operate separately around the state. The statewide organization received the money from
programs created by the federal stimulus bill. The group will link existing exchanges operated in and around Indianapolis,
Bloomington, Cincinnati, Fort Wayne and South Bend.
What’s this? A health insurance company trying to compete against Anthem Blue Cross and Blue Shield in central Indiana?
Consumer Life Insurance Co., a subsidiary of Medical Mutual of Ohio, has opened an office in Carmel with
intentions to sell group and individual policies. Consumers Life, which operates primarily in southern and northeastern Indiana,
has been expanding its network of doctors and hospitals in an attempt to reach statewide. The company has negotiated rates
with 44 hospitals and 5,000 physicians, and now employs 13 at its Carmel office, with plans to add more. It intends to extend
its SuperMed provider network statewide by the end of 2010.
Attaboy, here’s another contract. The Indiana State Department of Health awarded a $434,000 contract to the University
of Indianapolis Center for Aging & Community to lead an initiative to reduce infections acquired in health care
facilities. The new Indiana Healthcare Associated Infection Initiative will target such things as infections acquired from
catheters that aren’t completely sterile or from side effects of antibiotic use. The 15-month Indiana program will begin
in July and include at least 80 hospitals, nursing homes and home-health agencies. The latest initiative is modeled on the
Indiana Pressure Ulcer Prevention Initiative, which UIndy also oversees under a state contract. The first round of the pressure
ulcer initiative involved more than 160 hospitals, long-term care centers and home-health care providers and decreased the
incidence of pressure ulcers by 30 percent.
St. Francis Hospital & Health Centers has acquired a six-doctor orthopedic surgery practice that operates
in St. Francis’ Mooresville hospital. Joint Replacement Surgeons of Indiana fully integrated with St.
Francis on Monday, the hospital system announced. The physician group will be called St. Francis Medical Group-Joint Replacement
Surgeons. The doctors will continue working out of the St. Francis-Mooresville campus and the St. Vincent Indianapolis
Hospital campus on West 86th Street.
Eli Lilly and Co. paid $50 million for exclusive rights from Acrux Ltd. to an underarm testosterone lotion
called Axiron for men with limited sex drive due to low levels of the hormone, according to Bloomberg News. Indianapolis-based
Lilly will also pay Acrux, based in West Melbourne, Australia, $3 million when manufacturing assets are transferred. Acrux
may earn $87 million more if U.S. regulators approve the drug for sale, an additional $195 million in commercial milestone
payments, and royalty payments on future sales.
Clarian Health is expanding its LifeLine Critical Care Transport service to Lafayette and Muncie, making
its Clarian Arnett and Ball Memorial Hospital into regional centers for critical care. When the new cities come online in
July, LifeLine will operate from six bases. Its other locations are in Indianapolis, Columbus, Kokomo and Terre Haute. Each
LifeLine team includes a pilot, nurse, and a flight paramedic or respiratory therapist, depending on the needs of the patient
being transported. LifeLine conducts more than 1,500 flights annually.
Indianapolis-based Nyhart Co. has acquired ASAP Flex Plans, a 7-year-old firm that helps
smaller employers administer employee flexible spending accounts, health savings accounts, health reimbursement accounts and
COBRA benefits. ASAP owner John Baird will join Nyhart as a consultant, spearheading a rollout of new flexible spending accounts
by year’s end. ASAP’s 150 clients will be served under the Nyhart name.
Dr. Daniel P. Read has opened a surgical practice at Hendricks Regional Health in Danville. Read served as chief of surgery at Hendricks Regional Health from 1989 to 1996. His medical degree is from Indiana University School of Medicine.
Michele Thomas Dole has been named CEO of the Indianapolis-based Community Health Network Foundation, the
not-for-profit organization that raises money for Community’s hospitals and health initiatives. Dole, 39, who most recently
was a wealth adviser to physicians and health care professionals at JP Morgan Chase bank in Indianapolis, will begin her new
position April 12.
Bloomington Hospital has named Dr. Ken Marshall its new chief medical officer. He was most recently head
of medical affairs at Mountain States Health Alliance in Tennessee.
Opening March 20 Indiana History Center The Indiana History Center’s exhibition areas reopen this week in a big way with the launch of “Indiana Experience.” Interactive areas, peopled with re-enactors, bring photographs from the center’s archives to life. New viewing portals allow for detailed searching of the collection.
And there’s more. This weekend, it’s all opening to the public, which means you don’t have to wait to chaperone your child’s field trip in order to join in on the educational fun. (Of course, you don’t have to do that, anyway—the History Center is open to the public, although there will now be an admission charge.) Details here. And watch for a video tour of Indiana Experience coming soon at www.ibj.com.
Opening March 19
Imax at Indiana State Museum
If Pandora seemed a little too fake for you, here’s an “Avatar” alternative. The Indiana State Museum’s
Imax Theatre presents the local premiere of “Hubble 3D,” narrated by Leonardo DiCaprio. It’s the latest
from the creative team that put together “Space Station 3D.
Oh, and you can still see “Avatar” at the Imax, through March 25. After that, “How to Train Your Dragon”
takes over.” For details, click here.
March 19-20
The Jazz Kitchen
It’s the 60th anniversary of the completion of Miles Davis’ “Birth of Cool” and, in tribute, the
Buselli Wallarab Jazz Orchestra will perform the music from the landmark album in its entirety. On Saturday, Brett Wallarab
leads a pre-show discussion for those who want to arrive early (parking is usually better then, too). For details, click here.
The Indianapolis Symphony Orchestra is joined by conductor Brent Havens and a tribute rock band to perform “Music
of Pink Floyd” March 20 at Conseco Fieldhouse. Details here.
Yo-Yo Ma, March 23 at IU Auditorium, Bloomington. Details here.
Jay-Z: The BP3 Tour, March 20 at Conseco Fieldhouse. Details here.
Free performance by Kibbutz Contemporary Dance Company 2, March 18 at the Arthur M. Glick JCC. Details here.
Great Big Sea, March 18 at the Vogue. Details here.
The International Violin Competition of Indianapolis presents 1990 Silver Medalist Marco Rizzi March 21 at the Indiana History
Center’s Basile Theater. Details here.
David Gray, March 24 at Old National Centre. Details here.
Dr. Beata Samuel joined Accent Pediatrics, a Community Physicians of Indiana office. Originally from Dallas, Samuel earned her medical degree at Bangalore University in India.
Susan Perkins, a registered nurse, has been appointed disaster management coordinator at St. Francis Hospital & Health Centers. Perkins previously worked at the hospital in emergency room services.
March 12-28
Footlite Musicals
Audiences back in 1943 weren’t sure what to expect from “Oklahoma!” On a test run in New Haven, Conn., the show was called “Away We Go,” it didn’t feature any notable stars, and composer Richard Rodgers was teaming for the first time with Oscar Hammerstein, who was coming off a string of flops, including such quickly forgotten shows as “Sunny River” and “Very Warm for May.” Rumor had it that, when the curtain opened, instead of the usual chorus of dancers, there was an older woman churning butter. Huh?
No wonder that the influential gossip columnist Walter Winchell (who, in hindsight, was making the theatrical equivalent of “Dewey Defeats Truman”) said of the show, “No legs, no jokes, no chance.” But the bold, innovative, tuneful “Oklahoma!” changed the face of musical theater, ushering in an era when character mattered.
The best productions of it, though, don’t treat it as a classic. They treat it as an exciting, funny (yes, Walter,
there are jokes), vital story of an awkward couple trying to figure out each other and make a place for themselves in the
wannabee-a-state territory.
I look forward to seeing what Footlite Musicals does with the show in its new production. Details here. For more Rodgers and Hammerstein action this weekend, see below.
March 12-Aug. 29
Indianapolis Museum of Art
A park ranger and a PR rep discuss their relationship—in stop-motion animation—while an equally animated economist, Friedrich Hayek, chats with builder/philanthropist George R. Brown. Never mind that the two never actually met.
Video and bronze sculptures merge in the work of Joshua Mosley, who will have two of his works—2004’s “A
Vue” and the new “International”—on display. Stop in March 11 when the artist will be at the IMA to
screen and discuss both. Details here.
March 12-28
Indianapolis Civic Theatre
If you haven’t seen “Carousel” in years (or only saw the movie), you might be surprised at how dark the Rodgers and Hammerstein masterpiece is. At least it is before the “end of the storm.”
With its anger-management-challenged leading man and a damaged leading lady who is “quieter and deeper than a well,” “Carousel” daringly paints its characters as real people, not theater archetypes. Success for productions of it depends on finding the balance between the beauty of its rousing, haunting, stunning score and the inarticulate lives of its characters. The key to “Carousel” is that, like us, its characters don’t always say what they mean or what they feel. Or even know what they mean or feel.
When it works, this is as good as musical theater gets. For details on Indianapolis Civic Theatre’s production, click
here.
Through March 28
Actors Theatre of Louisville
Every year, I do my best to prod theater lovers from Indy into taking the relatively short trek to Louisville for the Humana Festival of New American Plays.
By definition, it’s tough to sell the festival based on titles, given that it’s all untested new work. And, most years (including this one), it’s also tough to push specific playwrights, since it’s unlikely that you’ve been exposed to the work of Lisa Dillman or Dan O’Brien. You might recall Deborah Zoe Laufer, whose “End Days” was performed here at the Phoenix a few seasons back.
I often fall back on past work to make the Humana Fest case, reminding anyone who will listen that such recent winners as “Becky Shaw” and the Pulitzer-winning “Dinner with Friends” launched at Humana, taking their place alongside such now-canonical shows as “Crimes of the Heart” and “The Gin Game.”
How about just a general prodding? Some of my best theatrical experiences of the last dozen or so years have come courtesy
of this internationally known fest. Go. Details here.
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Laura-the festivals and tastings are free. What does is strengthen the sense of community with activities. What are those empty lots doing for the Village? it's sad you can't see the good that this progress can do for the area. No one is requiring anyone to shop there. I guess you'd rather see a Dollar store move in or no, we'd rather see the property stand empty b/c change is out of the question.
Read down to the part about Brizzi. Someone needs to subpoena his "purchases" of Red RockPictures and Cellstar and his corresponding bank records, I mean c'mon, I'd like to see his alcohol usage records, too. http://diana-vice.blogspot.com/2011_01_01_archive.html
Wonder if my neighborhood can advertise our "retention" pond and act like it is a beach too?
a new record at the '11 salebration until they realized that it was a futile effort to get their crapwagon moter and crapwagon car up speed. And then they just quietly slunk off into the night and never spoke of it again. Nothing to see here folks.
millions for putting a company's bumper sticker on one of its Lolas. But you gotta take what you can get.