May 11, 2013
Lou HarryPlus thoughts on NoExit Performance's world premiere of David Hoppe's 'Our Experiences During the First Days of Alligators'
in Garfield Park
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May 4, 2013
Lou HarryWhile I’ve been bullish on the Cultural Trail, I realized recently that I haven’t actually walked it—at
least, not all of it. Time to change that.
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April 13, 2013
Lou HarryThe eyes of the creative world are on Ai Weiwei. The Indianapolis Museum of Art offers a chance to put your eyes on his works.
Plus, thoughts on the IBJ A&E “War Horse” road trip.
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April 6, 2013
Lou HarryAngst-ridden musical a highlight of the Broadway in Indianapolis season.
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March 30, 2013
Lou HarryA pack of conferencing critics had their eyes opened to Indy’s arts pleasures. In turn, they opened my eyes to some
things I shouldn’t take for granted.
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March 16, 2013
Lou HarryJournalists from San Francisco to D.C. and from New Haven to New Orleans descend on Indy for a first-ever critical mass of
theater.
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March 9, 2013
Lou HarryWhile I could look at most of the instruments on display at the new “Guitars: Roundups to Rockers” exhibition
at the Eiteljorg with cool detachment, Woody Guthrie’s Martin 000-18 acoustic guitar stopped me.
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March 2, 2013
Lou HarryIU fills a spot in Indianapolis Opera’s schedule with Philip Glass’ challenging “Akhnaten.”
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February 23, 2013
Lou HarryIt’s the fringes where those of us not steeped in Lincoln lore might find the freshest material.
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February 16, 2013
Lou HarryThe latest IBJ A&E road trip features a world premiere, heading-for-Broadway musical.
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February 16, 2013
Lou HarryAt an awards-show parodying gala, ComedySportz celebrated two decades of spontaneous laugh-making.
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February 9, 2013
Lou HarryWhen a region stands to lose one of its finest actresses, a critic can't be too proud to beg
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February 2, 2013
Lou HarryOpera star Sylvia McNair offers subtle take on "Send in the Clowns."
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January 26, 2013
Lou HarryBy letting it be, The Fab Faux honors the music of the Beatles
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January 19, 2013
Lou HarryRecently, I dug into the books of three Indiana writers who beat the odds.
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January 5, 2013
Lou HarryLanguage and content aren't the only thing shocking about the hit musical, now playing in Chicago.
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December 15, 2012
Lou HarryThe Indianapolis Museum of Art proves that the mineral isn't just for pencils. Plus new shows at the Indianapolis Art Center.
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December 8, 2012
Lou HarryTradition, by definition, involves familiarity. And three of the top Indy on-stage holiday offerings embrace tradition in
their own way.
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December 1, 2012
Lou HarryA new show at the Indiana State Museum includes memorabilia, film clips and more from the legendary James Dean.
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November 24, 2012
Lou HarryLou Harry is on vacation this week. In lieu of his regular column, here’s an excerpt from his new e-book, “The
Movie Uncyclopedia: Everything You Think You Know About Movies is Wrong, Wrong, Wrong.”
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November 17, 2012
Lou HarryIn this week of Thanksgiving, I’d like to focus on places more centered on the creating than the creations and more
about community than about artistic results.
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November 10, 2012
Lou HarryAt the IMA, an Islamic art show holds glorious surprises.
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November 3, 2012
Lou HarryFor me, the highlights of any Michael Feinstein concert come in between the numbers, when the cabaret and concert star—and
artistic director of the Center for the Performing Arts—shares anecdotes and insight about the composer and lyricists
who crafted the tunes. His storytelling style translates nicely to the printed page.
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October 27, 2012
Lou HarryGeorge Seurat’s painting “A Sunday on La Grande Jatte—1884” provided the inspiration for the musical “Sunday in the Park with
George.” For an Oct. 20 visit to both the painting and the musical, I was in the company of 35 participants in the first IBJ
A&E Road Trip, an exercise in arts connectivity.
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October 20, 2012
Lou HarryMy take on the Children's Museum attraction, plus generation-jumping thoughts on Jonathan Groff at the Cabaret and DK’s Beatles
celebration.
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Many serial killer types and psychopaths work as lowly bureaucrats, just waiting to impose their wrath on a powerless person, child, or pet. Don't forget, the BTK killer was a dog catcher.
If a television station wants to improve viewership, get rid of the local blackout. I was born by the brickyard, and have attended 15 or more races. I have children now, I won't attend unless circumstances are perfect. As those with growing families know, they never are. I'm always impressed that upwards of 250,000 people attend the 500. However, as a growing, or, more apt, sprawling city, Indianapolis and its immediate suburbs count almost 2.2 million. Show the race live, let the venue get a kick-back on revenues, and open-wheel racing might have a fighting chance to be relevant again. Just in time for those tax-payer lights to make sense.
John Moore, I too have had the same issue recently. A property next to my house was on the Land Bank and I was interested in purchasing. When I tried to contact Reggie, I got back emails that had nothing to do with what I asked about. Actually my latest response from him was on this past Friday. I had asked about how to buy the property and if it was still available. His response to me was to contact the mayor's office to get the schedule of his appearances. (???) Hopefully the city is able to do something to fix what this guy has done, it would be nice if they would take the properties back and sell them properly so land owners like me and you mother would have a fair chance.
I too work in the industry, with over 25 years of experience and your political spin has probably nothing to do with any rebranding. "Let's dress it up" would have nothing to do with the government "telling us how and what to eat." Give it a political rest. And being a producer for a radio show doesn't mean you've been involved in advertising and branding for 30 years.
Ms. Morris did not understand the ways of the business world, otherwise, like the IMS, she could have petitioned the State Legislature for a handout of State Funds for her charity work. Ms. Morris should consider becoming a state lobbyist for Lemonade Stand Operators.