Review: Cirque du Soleil's “Varekai”

July 25, 2014
Back to TopCommentsE-mailPrintBookmark and Share

There’s amazing acrobatic stuff going on in “Varekai,” the 2002 Cirque du Soleil show visiting Bankers Life Fieldhouse (through July 27) and, for some, that will be enough. There are also beautiful, odd, lyrical moments unlike anything you’ve ever seen and, for some, that, too, will be enough.

“Varekai” also features a cut-and-paste structure where some of the acts seem to be connected to the loose theme and others don’t. Its clowns occasionally strike the funnybone but too often miss the mark (particularly the shrill Skywatcher and the Guy with the Light Bulb in his Head). And, as with some other Cirque shows, the opening promises more of a fusion of visual and physical wonders than the rest delivers. For some, that will keep it from being wholly satisfying.

It starts off strong, using music, exotic costuming and intriguing set design to draw us into a strange world as characters of all sorts populate the playing space. Like folks you might find in one of the odder Q Artistry or NoExit Performance works—only with a mega-budget—they seem to exist in their own bizarre world that seems to have its own languages and its own musical vocabulary (there's a live band and a pair of strong vocalists).

Then Icarus falls out of the sky.

Well, falls isn’t the word. His descent involves a net that seems designed to increase danger rather than provide safety. There’s grace and sadness in his fall—and his attempts to rise again—and “Varekai” is soon soaring with amazing physical feats and visual splendor.

And then Mooky and Claudio, a clown act, enters. And the beauty is drained out of the proceedings without being replaced with much. (To be fair, Claudio does provide fun later with a chasing-the-spotlight bit that offers two climactic payoffs.)

The plot is largely abandoned. But we do get The Limping Angel, performing amazing feats on crutches, a jaunty Georgian Dance, a juggler (unintentionally) having a slightly off night, and acrobats hurtling through the air off gliding swings.

This seemingly Cirque-grown species of superhumans contort while flying, connect while swinging, tumble while balancing, hurl one another with their feet, and otherwise defy gravity and create the impression of bonelessness.

Your response to all of this may depend on how many other Cirque shows you've seen. As a vet of about a half dozen of them, I'd say "Varekai" lands somewhere in the middle.


  • Not up to snuff
    I am also a "vet" of several Cirque shows and this one left me flat. It didn't have the amount of acrobatic stunts as the others that I have seen. I am still glad that I went to it and look forward to the next one but I put Varekai as my least favorite.
  • I lost my "WOW" moment
    I'm on the same page with you. I'm one of the "vets" too and my husband and I even traveled from Chicago suburbs to Indianapolis to see the show. I enjoyed it very much but I missed my "WOW" moment this time. Still looking forward for the next one!
    • Agree
      I agree, having seen three shows, that I was less than wowed. Disappointing!!
    • Agree
      I've seen 4-5 Cirque shows, and this one is at the bottom of my list as well. For starters, the "Skywatcher" and "Lightbulb Head Guy" were just flat out annoying. Cirque sometimes manages to have hilarious clowns (Zarkana if I recall had some great moments), but these were just annoying. I will mention that Claudio's chasing-the-spotlight act was hilarious and had my crying tears of laughter. But the other two clowns provided me too much time of yawns and groans. The acrobatics themselves were sub-par for Cirque. One of the final acrobatic scenes involved a woman balancing upside-down on one hand on a balance beam. This is impressive! But in Ova, I saw Kim Wei do the same upside down handstand ON A UNICYCLE BALANCING ON A SLACKWIRE. One made me just go "wow, that's neat," and the other had me swearing curses in disbelief. Many of the other acts were impressive, but too short and didn't reach as high as they should. The crutches act had a lot of potential but didn't really go anywhere; the juggling act was impressive, but didn't hold a candle to the juggling act in Zarkana. The baton-twirling woman was super impressive, but I remember when they passed her the second baton I was thinking "this is going to be amazing"...and then she twirled one baton for a few seconds while tossing the other, and then the act was over. All in all, I felt fairly let down, with the highlight being Claudio performing his "sexy" French chase-the-spotlight song.

    Post a comment to this blog

    We reserve the right to remove any post that we feel is obscene, profane, vulgar, racist, sexually explicit, abusive, or hateful.
    You are legally responsible for what you post and your anonymity is not guaranteed.
    Posts that insult, defame, threaten, harass or abuse other readers or people mentioned in IBJ editorial content are also subject to removal. Please respect the privacy of individuals and refrain from posting personal information.
    No solicitations, spamming or advertisements are allowed. Readers may post links to other informational websites that are relevant to the topic at hand, but please do not link to objectionable material.
    We may remove messages that are unrelated to the topic, encourage illegal activity, use all capital letters or are unreadable.

    Messages that are flagged by readers as objectionable will be reviewed and may or may not be removed. Please do not flag a post simply because you disagree with it.

    Sponsored by