Indy Fringe part 2: "School House Wrong" and "Welcome to Zanland!"

August 21, 2011
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Some day in the not-too-distant future, when “School House Wrong” is a go-to show for regional theaters around the country (after its off-Broadway or hit Chicago run, of course), I’ll be happily among those boasting, “Yeah, I was there on opening night.”

Day two of Indy Fringe brought a packed house to the Phoenix Theatre main stage for “School House Wrong”—a crowd rewarded with a fast-paced, very funny evening of smart, irreverent goofiness from Indy-based sketch comedy troupe Three Dollar Bill.

The premise is simple and preps the audience for a good time even before the lights go down: A spoof of the “Schoolhouse Rock” shorts that taught a generation the function of conjunctions and how a bill becomes law. In this case, though, the information is wrong-headed (the evangelical “Space is Not a Place”), narrow-minded (the “Beauty School Dropout”-ish “Speak American”), or deals with subjects not normally covered in Saturday morning edu-tainment ditties (the meth-lab lessons of “I’m Just a Pill.”)

The music is catchy in the same way as the originals. The lyrics are smart—at least, those that weren’t lost in big laughter (a pretty good problem to have in a comedy show).  And to keep it from being just strung-together bits, Three Dollar Bill ties “School House Wrong” together with a hilarious series of black-out-sketch equivalents to the quick-hit bumpers that advertised “Schoolhouse Rock.”

Not that “School House Wrong” is totally ready for the big time right now. A few sketches, particularly one about Google, don’t quite land (in part because, by that point in the show, the bar had already been raised so high). An enterprising producer with an eye on the bottom line will likely cut down the cast size—which will make individual personalities have an easier time popping—and perhaps find a few men with stronger voices.

But such next-step considerations shouldn’t be taken as a slight to what’s on stage at the Phoenix. This is a big, fat hit, a crowd-pleaser that pleases through wit, brains and talent. And some moments of very funny choreography.

There are five more shows. I suggest camping out early to make sure you get a seat. Monday, Aug. 22 at 9 p.m. may be your best bet.

After a brief time to recover from “School House Wrong,” I headed to the Indy Fringe Building where Zan Aufderheide is offering her show “Welcome to Zanland!” Despite a few moments of seriousness, this is a stand-up comedy act, even down to the needs-a-lot-of-work opener.  There’s some decent material—and the audience seemed to react as they might to a good-enough middle act at a Crackers Comedy Club—but the Fringe program promise of something “Autobiographical. Hilarious. Poignant. Raw” wasn’t delivered.

Without a clear and compelling sense of character amidst the punch lines and mugging, “Welcome to Zanland” doesn’t make enough of a commitment to transcending its comedy club roots. But if you aren’t looking for more, you could do a lot worse.

Your thoughts?

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  • 3 Dollar Bill Players
    We saw the School House Wrong show. Best entertainment ever in this venue. Since the group wrote it, sang and played out the parts, it is a class A show. I agree with Larry's opinion except I think that whole group should be playing somewhere up the road.

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  1. First, the Athenaeum is going to have to get past the hurdle with the Lockerbie residents and the agreement that the parcel would be residential. Second, and in my opinion, this prime piece of property should include parking, PLUS, a black box theater(s), some market rate and affordable artist housing and a plan to renovate and reconfigure the second story theater. I would negotiate to add the DeHaan property surface parking lot into the development mix, place a one story surface parking garage on the DeHaan lot on the street level (for the Dehaan tenants use during the daytime) and add a second story to the garage that would become an addition to the current second story theater and then change the direction of the theater by moving the stage across the alley and on top of the DeHaan lot parking. You can add all the stage elements that are currently missing from the Athenaeum stage to make it more attractive for use by Ballet, Opera and traveling productions. Plus, the theater changes would probably help solve some of the soundproofing issues. Alas,it does not seem to be a part of the strategic plan to conduct a study to determine best use of the property. Seems like the current plan is a quick and easy move that ignores the property best use/potential and any strategic property planning for the effect on future generations.

  2. I recall that MSA's pilings are still in the ground and hard to remove. It’s not likely any proposal will include significant underground construction/parking because of this. Start adding 2 floors of retail, 8 floors of parking and 5-10 floors of possible hotel, and/or 10-20 floors of residential, and you are at 30 floors already with possible expansion of all the uses. But then again I could be wrong.

  3. Accoriding to their website there is no deadline to the Do Not Call list. What is this article referring to??

  4. On what planet are they entitled to this largesse from the stockholders? These people make multi-million dollar salaries: Pay for your own personal travel.

  5. It matters because they're already paid enormously fat salaries: Pay for your own personal travel. Being "taxed on it" isn't a valid excuse--so what? They're still being gifted a raft of luxury perks from somebody else's money on top of an enormous, lavish salary.

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