Scoop: IRT's 2009/2010 season

March 26, 2009
Back to TopCommentsE-mailPrintBookmark and Share
“We are very intentionally reaching out to family audiences,” says Indiana Repertory Theatre Managing Director Steven Stolen, in discussing with me the about-to-be-announced 2009/2010 schedule for our state's largest regional theater.

He’s not doing that just through programming—which includes a full mainstage production of “Romeo and Juliet” (unlike the truncated 90-minute versions in recent seasons), an adaptation of the popular young adult novel “The Giver,” and a season-ending theatrical take on “Around the World in 80 Days.”

The IRT's family-friendly focus also will impact the surrounding theater, where a new Saturday afternoon program will allow parents to drop off their 5-12 year olds for “concurrent appropriate activities” while the grown-ups go to a show. For subscribers who want to leave the kids at home for weeknight shows, the IRT will also be offering a babysitter rebate program.

Of course, the theater would also like the kids to see some shows, so a 3-4 show family package of tickets will also be available.

Not all of the upcoming season will be targeting kids, of course.

The season opens with playwright-in-residence James Still’s Lincoln play “The Heavens are Hung in Black,” which recently premiered at Ford’s Theatre in Washington, D.C. It will play on the mainstage. “The Giver” will follow on the upperstage.

“A Christmas Carol” will, of course, be back for the holidays while, on the upperstage, IRT Associate Artist, Priscilla Lindsay (and “Christmas Carol” director) will star in the popular two-hander “Love Letters.”

A modern-dress “Romeo and Juliet” (“It won’t be tights and pantaloons,” says Stolen) comes next, which the IRT hopes will appeal to both student audiences and traditional theatergoers.

Meanwhile, in the season’s most form-breaking move, three full-length, one-person shows will be presented in repertory, including Rob Johansen in Nuvo scribe David Hoppe’s “After Paul McCartney” and Millicent Wright in Charlayne Woodard’s “Pretty Fire.” The third play has yet to be confirmed.

The spring brings a lesser known comedy, Steven Dietz’s fourth-wall-breaking “Becky’s New Car” and the hoped-for crowd-pleasing “Around the World in 80 Days.”

Some notes:

--There are no co-productions with other theaters this year. (The IRT's "The Ladies Man" recently packed up and moved to Rochester. Upcoming "Crowns" will be shared with Syracuse.) This could allow for easier extension of popular shows.

--Was the decision to book the "Going Solo" trio of one-person shows influenced by the popularity of the Indy Fringe festival? "That wasn’t the decision maker," says Stolen. "But it does give us a chance to intentionally try to reach that audience." He adds that there will be chances to see two or three of the shows in the same weekend (at regularly IRT prices).

--"Love Letters" has often been performed with rotating casts of celebrities, local and otherwise. That won't be the case here, where Stolen says, "It will be a real production"--although there may be opportunities for local notables to get into the act on dark nights.

Your thoughts?
ADVERTISEMENT
  • Counting the three, one-person shows in rotating repertory as one calendar block, I only count eight filled season calendar slots. The IRT produced nine separate productions a season for a long time. No comment from you or management on the reduction? Is the cost of a season ticket going down to reflect the drop in programming?
  • Hmm. Somewhat bland and boring seems to be the future direction of the IRT.
  • If each of the solo shows is a full-price ticket, you would need tix for ten slots to make the season. What did the comment about two or three of the shows in the same weekend (at regularly IRT prices) mean?
  • Your server is still on Standard time, not Daylight time.
  • Joe,
    My understanding from the IRT is that each show will be treated (and ticketed) as its own offering--just as the theater has with such past one-person shows, including Shirley Valentine and This Wonderful Life. The difference is that, this time, there will be three different shows instead of one and that they will be presented in rotating rep. And the schedule will be such that it will be possible to see more than one in a day and all in a weekend.
    Does that clarify?
    Lou

Post a comment to this blog

COMMENTS POLICY
We reserve the right to remove any post that we feel is obscene, profane, vulgar, racist, sexually explicit, abusive, or hateful.
 
You are legally responsible for what you post and your anonymity is not guaranteed.
 
Posts that insult, defame, threaten, harass or abuse other readers or people mentioned in IBJ editorial content are also subject to removal. Please respect the privacy of individuals and refrain from posting personal information.
 
No solicitations, spamming or advertisements are allowed. Readers may post links to other informational websites that are relevant to the topic at hand, but please do not link to objectionable material.
 
We may remove messages that are unrelated to the topic, encourage illegal activity, use all capital letters or are unreadable.
 

Messages that are flagged by readers as objectionable will be reviewed and may or may not be removed. Please do not flag a post simply because you disagree with it.

Sponsored by
ADVERTISEMENT
ADVERTISEMENT