After a month’s anticipation, Madonna’s Super Bowl halftime show largely fell flat.
This was Madonna’s first performance at the Super Bowl, and the “it-girl” of 1980s pop confirmed she is no longer at the height of her popularity or provocative powers with a tame, somewhat leaden performance.
The more-ambitious-than-usual halftime show started with an awkward celebration of slavery, evolved into a fast-moving medley and then ended with a tacked-on message about world peace.
While a curiously never-out-of-breath Madonna was front and center through most of it (and performing a number of look-what-I-can-still-do acrobatics), the real stars of the show were the set and lighting designers and the dancers.
The dancers got some of the biggest cheers of the night from an in-house crowd that was largely subdued as Madonna, 53, bopped through one new song and three of her hits. Inside Lucas Oil Stadium, the bass-heavy music was overwhelming, and spectators in the middle and upper sections had difficulty hearing the lyrics or even finding The Material Girl on stage.
This year’s light show won more praise from the stadium crowd than did almost any aspect of the show, as spectators joined in with small portable lights that were put under their seats to use during the halftime show. The crowd also cheered as the words “World Peace” lit up across the bottom of the stage toward the end of the show.
Madonna seemed to lack energy and the crowd responded in kind to her performance. The crowd was more effusive when Cee Lo Green joined her on stage. If Green appeared to be along for the ride, with little to add to “Like a Prayer,” TV viewers were given a hint about his inclusion via an ad for his NBC show “The Voice” appearing immediately after the performance.
M.I.A., a guest singer during the Madonna performance, shot a middle finger, marring the show. The screen blurred after the images made their way into more than 100 million homes. Much of the live audience saw the gesture.
The stage itself was much smaller than for past Super Bowls, but the crew putting it up and taking it down during the 31-minute halftime was lightning fast. In production design, if not music, the bar has been raised very high for future shows.

















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she has had so much work she does not even look like herself any more. I still can't understand all that. Second, she was never talented 30 years ago, so no surprise now. I have never forgiven her for RUINING EVITA. So, this little mess of SFX was a visual oddity and fine. But I would have preferred Annie Lenox, or ABBA, or Cindy Lauper. Good for her that she won a Golden Globe for her movie tune, I would have preferred Meatloaf or even Tom Arnold for that matter. It was not bad, but defiantly not worth what it cost.
only because way too many "artists" are still doing, copying, aping, her schtickle from 25
years ago. Best thing - Not the black eye pees.
Thoroughly enjoyed the half time show, one of the best in ages.
The gentleman mainly seems to enjoy the sound of his own voice when he writes. As do most "critics."
I'm also noticing men in their forties and fifties seem to be the most critical on Madonna's performance (which was excellent for a woman of any age)and I can't pinpoint why but I have my ideas.
His reviews became irrelevent,to me, when a few years back he was discussing Broad Ripple venues and wrote about The Jazz Kitchen being a neighborhood hot spot.
The Jazz Kitchen had been closed about 3 years.
Not sure what you were watching Lou. Maybe you had a bad view. Facebook consensous was positive.
Why all the lambasting of the reporter? Just like all of you who loved Madonna's show, Lou's entitled to his opinion, too. I thought he was spot on...but that's just one man's take.
They set it up in minutes - rocked it out of the house - and moved it out in minutes. Amazing dancing - amazing show. And for those against the lip syncing - they have to lip sync this one - as they do at all the superbowls and other type shows. WELL DONE MADONNA!
It would also have been nice if you'd bothered to name the local arts groups participating in the musical numbers Sunday - the Indianapolis Children's Choir (w/ Kelly Clarkson on the National Anthem), drummers from Indiana University, Avon HS, Center Grove HS and Fishers HS, the Indianapolis Symphonic Choir, and the Butler University Chorale. There. Was that so hard to research? No.
Madonna. Irrelevant and immaterial.
Jennifer, Mike, Sandy, Marcia and others: Glad you enjoyed.
CMS and others: Iâm hoping that everyone noting Madonnaâs age also did the same for Springsteen, The Who, etc.
Customer: Bah-bye.
Steven: IBJ has been reviewing the arts for over five years steadily and periodically before that. Also, Iâm not sure what hospitality has to do with honest reviewing.
Margarete: Yes, we were at the same show. And we had different opinions of what was presented. Isnât life grand that way?
Ryanmarsh: Iâm actually surprisedâand pleasedâthat readers are sharing a variety of opinions.
Bob: Yeah, armies love carrying in their queens on heavy chariots.
And just because it's a Business Journal doesn't mean they can't have an opinion on a musical performance. After all, last time I checked it was called the Music Business for a reason. And last night was a shining example of that business doing its best to stay relevant.
HOW DARE YOU!!! I guess you never read the over 5,000.00 comments on FB alone during the LIVE show... Tweets were off the Charts ...
You've gone too far with me and I will ask my Buisness Friends while were Golfing to consider you as a good source of reporting BUISNESS if you cannot report a proven event ...
I believe it was a great show, Other than the invited stage group.. YOUR MOVE NOW !!!
More like a queen was being carried in by her army, an army that loves her and fight for her for the queen, Maybe you just are so out of touch looking for a line you didnt quite understand it ? You related to chris chase @ yahoo by chance?