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LOU'S VIEWS: Urban etchings reveal treasures

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Lou Harry

This week: a small but strong show at the IMA, plus thoughts on the Humana Festival, A&E road trips, and some Disney magic.

As appealing and exciting as special exhibitions can be, I sometimes find greater pleasure when the Indianapolis Museum of Art and other large institutions mount smaller shows revealing some of the treasures from their own collections.
 

ae-hopper-main-15col.jpg Edward Hopper’s “Night Shadows” ominously captures the feeling of being alone in the big city. (Photo Courtesy Indianapolis Museum of Art)

Such is the case with “Urban Vision: American Works on Paper (1900-1950).” The single-room show affords a view of a world of wonder, capturing the awe and trepidation of cities rising beyond the imagination. It’s not all just buildings on display, of course. There are also the people in and around them. Isabel Bishop captures women looking both confident and vulnerable in the big city. Edward Hopper looks down on a lone figure reduced to bug-like proportions in “Night Shadows.” And George Wesley Barrows pits man vs. man in a basement boxing match in “A Stag at Sharkey’s.”

But the fear and marvel of big cities being born is arguably best captured here by Gerald Kenneth Geerlings, who I was not surprised to learn later also was an architect, and Howard Norton Cook, whose “The New Yorker” depicts a tower seeming to burst forth from the tenement below.
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A few weeks back, I reviewed some of the early offerings at this year’s Humana Festival of New American Plays in Louisville. Well, I couldn’t stay away, returning for a weekend

to catch the rest of the fest. Joining me were theater professionals and critics from around the country eager to see what the 36-year-old pioneer had in store (keeping in mind that such plays as the Pulitzer-winning “Dinner With Friends” and the theatrical mainstays “The Gin Game” and “Crimes of the Heart” were birthed here).


ae-heart-15col.jpg Sarah Grodsky and Kate Eastwood Norris play daughter and mother in Humana Festival highlight “Eat Your Heart Out.” (Photo/Alan Simons)

I didn’t see a breakout production this time. But I lost my heart to Courtney Baron’s “Eat Your Heart Out,” which could use a title makeover but needs little else. Richly funny and deeply moving, the characters include a lonely guy on a first date, a couple seeking adoption approval and an overweight teen. They’re all linked to Nance, a divorced mom and social worker stumbling back into dating. If it sounds like nothing new, well, it isn’t. But every one of Baron’s heartbreaking characters rises above cliché, revealing the effects of pain and rejection on the spirit. There’s truth and anger as well as some very big laughs here. An impeccable production, top-notch cast, and pitch-perfect ending certainly help. “Eat Your Heart Out” should survive well in regional productions.

Also strong was Lucas Hnath’s “Death Tax,” which not only has compelling characters and situations, but also the hot-button issue of nursing home care to help propel it … perhaps, into subsequent productions (although there was much debate about the time-leaping final scenes). What the play will need wherever it goes is a dynamo of a senior actress and it has one here in Judith Roberts. As crafted by Hnath and Roberts, Maxine, the hospitalized woman, is vicious, controlling, paranoid (perhaps) and terrifying to a point where I was almost afraid to congratulate Roberts in the lobby.

The joy of such a festival—even when it includes some plays that hit the wall, hard—is not knowing what you are getting. In a world where movie trailers give away endings and where preview articles and reviews often leave little to discovery, the Humana Festival (like new plays at the Phoenix Theatre and elsewhere) reignite a glorious storytelling truth: It’s fun and exciting to want to know what happens next.
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As announced on my blog, in the coming months I’ll be hosting a series of A&E road trips—bus trips to arts events that not only include tickets and transportation, but also lively en route discussions and up-close-and-personal encounters with artists, and more.

In conjunction with a local, established tour company, we are exploring options for our first offerings in ways that give great A&E value for the cost. It could be dinner and an art show in Cincinnati, a play in Chicago, or a lecture and meet-and-greet in Lousville—with an emphasis on specific shows and exhibitions not offered here in central Indiana. It might even be a quick trek to Bloomington for something special.

If you are interested in being among the first contacted about these limited-seating jaunts (or have ideas for such trips) drop me a note at lharry@ibj.com and include A&E Road Trips on the subject line. I look forward to hearing from—and possibly traveling with—you.
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In March, I had the pleasure of escaping on the Disney Fantasy, the latest ship in the family-friendly cruise line. While the stage shows were ambitious, the costumed characters plentiful, the food abundant, the movie theater state-of-the-art and the Caribbean sun soothing, the most impressive bit of Disney wonder came courtesy of some post-meal entertainment.


ae-disney-15col.jpg Placemat drawings by diners are animated alongside familiar cartoon characters in a remarkably joyful Disney Cruise dinner show. (Photo Courtesy Disney Cruise Line)

When diners arrive at the Animator’s Palate on-board restaurant, each place setting has a placemat-ish paper with the outline inviting you to draw your own character. Nothing too out of the ordinary there for anyone who has doodled while eating at a diner. The difference here, though, is the artwork is collected pre-appetizer.

When dessert comes around, video screens show the familiar face of Mickey Mouse, sporting his “Sorcerer’s Apprentice” hat and carrying a stack of drawings. He then proceeds to bring every one of the diner-drawn characters to life in a joyfully fun, technically amazing blast of a video in which the table-drawn figures boogie with Baloo the Bear, strut with Jiminy Cricket, and shuffle with Tigger.

I have seen the future of dinner theater—or, at least, a future of dinner theater. And it is magical.•

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This column appears weekly. Send information on upcoming arts and entertainment events to lharry@ibj.com.

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  1. So much for Eric Holder's conversation about race. If white people have got something to say, they get sued over it. Bottom line: white people have un-freer speech than others as a consequence of the misnamed "Civil rights laws."

  2. I agree, having seen three shows, that I was less than wowed. Disappointing!!

  3. Start drilling, start fracking, and start using our own energy. Other states have enriched their citizens and nearly elminated unemployment by using these resources that are on private land. If you are against the 'low prices' of discount stores, the best way to allow shoppers more choice is to empower them with better earnings. NOT through manipulated gov mandated min wage hikes, but better jobs and higher competitive pay. This would be direct result of using our own energy resources, yet Obama knows that Americans who arent dependent of gov welfare are much less likely to vote Dem, so he looks for ways to ensure America's decline and keep its citizens dependent of gov.

  4. Say It Loud, I'm Black and Ashamed: It's too bad that with certain "black" entertainment events, it seems violence and thuggery follows and the collateral damage that it leaves behinds continues to be a strain on the city in terms of people getting hurt, killed or becoming victims of crimes and/or stretching city resources. I remember shopping in the Meadows area years ago until violence and crime ended make most of the business pack you and leave as did with Lafayette Square and Washington Square. Over the past 10 to 12 years, I remember going to the Indiana Black Expo Soul Picnic in Washington Park. Violence, gang fights and homicides ended that. My great grandmother still bears the scares on her leg from when she was trampled by a group of thugs running from gun fire from a rival gang. With hundreds of police offices downtown still multiple shootings, people getting shot downtown during Black Expo. A number of people getting shots or murdered at black clubs around the city like Club Six on the west side, The Industry downtown, Jamal Tinsley's shot out in front of the Conrad, multiple fights and shootings at the skating rinks, shootings at Circle Center Mall and shooting and robberies and car jackings at Lafayette Mall. Shootings and gang violence and the State Fair. I can go on and on and on. Now Broad Ripple. (Shaking head side to side) Say It Loud, I'm Black and I'm Ashamed.

  5. Ballard Administration. Too funny. This is the least fiscally responsive administration I have ever seen. One thing this article failed to mention, is that the Hoosier State line delivers rail cars to the Amtrak Beech Grove maintenance facility for refurbishment. That's an economic development issue. And the jobs there are high-paying. That alone is worth the City's investment.

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