IBJOpinion

LOU'S VIEWS: Must-sea Phoenix drama

Back to TopCommentsE-mailPrintBookmark and Share
Lou Harry

Many plays have metaphors tucked deep inside them. Others have their metaphors just below the surface.

However, in Steve Yockey's "Octopus" (through July 11 at the Phoenix Theatre), there's no need for audiences to have to hunt for buried meaning. Instead, the oceanic metaphors leap right out into your net.

The playwright turns his metaphors into characters, builds speeches around them, and makes them a constant presence. Sometimes it all plays swimmingly, sometimes it sails gracefully, and other times it sinks.

Enough with the metaphors (which may well be what you think midway through the show if you haven't bought in by the time we visit a character at the bottom of the sea).

Let me back up.

"Octopus" opens with a young male couple about to engage in a foursome with a more established pair they met at a bar. One of the guys is nervous about it, the other is excited. Both decide to go through with it with the faith that this will enhance their relationship rather than destroy it.

Obviously, they've never seen a Cinemax movie.

The well-acted (no mean feat when you and your three acting mates are buck naked) and suspenseful opening gives way to a few-days-after scene where cliched
scripting and acting that can't rise above it drains the play of the credibility it had worked hard to build.

Lesson re-learned: Floundering actors are more awkward to watch than naked actors any day.

But it soon becomes apparent that Yockey is only treading water (sorry). Soon, we get to the play's real reason for being--the delivery of the metaphor. And some of what follows is truly stunning, thanks in large part to set designer Bryan Fonseca (who also directed) and lighting designer Laura Glover. They make a difficult-to-forget production out of a not-quite-worked-out play.

I'll tell you no more. Wouldn't want to be a wet blanket.



On June 20, the Indianapolis Symphony Orchestra opened its summer season with an evening of Leonard Bernstein, George Gershwin--and the Grateful Dead. And the fact that I can barely remember it a few days later has nothing to do with illegal practices that used to go on at Dead shows.

Instead, part of the blame falls on daylight-saving time. I was a fan of this switch, appreciating the extra evening sunlight in summer months. But it's changed the vibe of these Conner Prairie concerts.

It used to be that the sun went down some time around intermission, which helped silence--or, at least, lower the volume on--the chatty crowds. The darkness seemed to change the music, too, giving it more focus.

Alas, the light led many audience members to believe they were in their living rooms, carrying on nonstop conversations up to the end of the concert. I don't expect silence at outdoor shows. But it's nice to show some indication that you are there to hear at least a little of the music. (And, to be clear, it was not the obvious Deadheads who were yapping. Or the children. The gabby culprits seemed to be the more seasoned Prairie-goers.)

The distractions were in contrast with the low-key nature of the second half of the concert. Whereas the first act featured conductor Lucas Richman's commentary, Lee Johnson's second act "Dead Symphony No. 6" was offered without comment, at
taching itself seamlessly to the orchestra's tuning. It was two movements/songs into it (somewhere around "Here Comes Sunshine") before I realized that the program was underway.

Johnson's core dilemma would seem obvious: How do you orchestrate the music of a band known for jamming?

His solution provided nice background music for cloud watching, providing a mellow, if unmemorable, evening. •


Visit IBJ.com/arts for additional reviews, previews and arts discussion. Twitter: IBJarts

 
ADVERTISEMENT

Post a comment to this story

COMMENTS POLICY
We reserve the right to remove any post that we feel is obscene, profane, vulgar, racist, sexually explicit, abusive, or hateful.
 
You are legally responsible for what you post and your anonymity is not guaranteed.
 
Posts that insult, defame, threaten, harass or abuse other readers or people mentioned in IBJ editorial content are also subject to removal. Please respect the privacy of individuals and refrain from posting personal information.
 
No solicitations, spamming or advertisements are allowed. Readers may post links to other informational websites that are relevant to the topic at hand, but please do not link to objectionable material.
 
We may remove messages that are unrelated to the topic, encourage illegal activity, use all capital letters or are unreadable.
 

Messages that are flagged by readers as objectionable will be reviewed and may or may not be removed. Please do not flag a post simply because you disagree with it.

Sponsored by
ADVERTISEMENT

facebook - twitter on Facebook & Twitter

Follow on TwitterFollow IBJ on Facebook:
Follow on TwitterFollow IBJ's Tweets on these topics:
 
Subscribe to IBJ
  1. So much for Eric Holder's conversation about race. If white people have got something to say, they get sued over it. Bottom line: white people have un-freer speech than others as a consequence of the misnamed "Civil rights laws."

  2. I agree, having seen three shows, that I was less than wowed. Disappointing!!

  3. Start drilling, start fracking, and start using our own energy. Other states have enriched their citizens and nearly elminated unemployment by using these resources that are on private land. If you are against the 'low prices' of discount stores, the best way to allow shoppers more choice is to empower them with better earnings. NOT through manipulated gov mandated min wage hikes, but better jobs and higher competitive pay. This would be direct result of using our own energy resources, yet Obama knows that Americans who arent dependent of gov welfare are much less likely to vote Dem, so he looks for ways to ensure America's decline and keep its citizens dependent of gov.

  4. Say It Loud, I'm Black and Ashamed: It's too bad that with certain "black" entertainment events, it seems violence and thuggery follows and the collateral damage that it leaves behinds continues to be a strain on the city in terms of people getting hurt, killed or becoming victims of crimes and/or stretching city resources. I remember shopping in the Meadows area years ago until violence and crime ended make most of the business pack you and leave as did with Lafayette Square and Washington Square. Over the past 10 to 12 years, I remember going to the Indiana Black Expo Soul Picnic in Washington Park. Violence, gang fights and homicides ended that. My great grandmother still bears the scares on her leg from when she was trampled by a group of thugs running from gun fire from a rival gang. With hundreds of police offices downtown still multiple shootings, people getting shot downtown during Black Expo. A number of people getting shots or murdered at black clubs around the city like Club Six on the west side, The Industry downtown, Jamal Tinsley's shot out in front of the Conrad, multiple fights and shootings at the skating rinks, shootings at Circle Center Mall and shooting and robberies and car jackings at Lafayette Mall. Shootings and gang violence and the State Fair. I can go on and on and on. Now Broad Ripple. (Shaking head side to side) Say It Loud, I'm Black and I'm Ashamed.

  5. Ballard Administration. Too funny. This is the least fiscally responsive administration I have ever seen. One thing this article failed to mention, is that the Hoosier State line delivers rail cars to the Amtrak Beech Grove maintenance facility for refurbishment. That's an economic development issue. And the jobs there are high-paying. That alone is worth the City's investment.

ADVERTISEMENT