IBJOpinion

LOU'S VIEWS: Bill T. Jones' company dances through history at IU

Back to TopCommentsE-mailPrintBookmark and Share
Lou Harry

This week, two Lincolns and a Lloyd.
__________

A few weeks back, I wrote about the two collections of Abraham Lincoln memorabilia currently being displayed at the Indiana State Museum—this after a year that included Indiana productions of two different Lincoln biographical plays, one at the Indiana Repertory Theatre and one at Lincoln Amphitheatre.

Over the past week, two additional encounters with Abe reminded me that there is no shortage of material to be mined from the life of the 16th president. And no shortage of awe we can still feel for those long-ago events—if we are put in the hands of truly searching, talented artists.
 

A&E IU Auditorium co-commissioned Bill T. Jones/Arnie Zane Dance Co.’s “Fondly Do We Hope...Fervently Do We Pray,” exploring Lincoln’s legacy. (Photo/Paul B. Goode)

“Fondly Do We Hope … Fervently Do We Pray,” presented Feb. 25 by the Bill T. Jones/Arnie Zane Dance Company, was more than just a one-night-only, visiting artist appearance at IU. Co-commissioned by IU Auditorium, the piece demonstrated a commitment to risk-taking work and offered enormous rewards—and more than a few challenges.

One of the leading choreographers in the country, Jones built much of his career and his company’s reputation on incorporating text, live music and striking visuals into contemporary dance. In “Fondly Do We Hope…,” those elements often dominate—positively and negatively—the work of his impeccable dancers. Giant shadow figures remind us of both past and present as they loom on the round curtain that dominates the stage. Singer/musicians occasionally arise from the pit to take the spotlight, offering sounds ranging from discordant opera to down-home folkie. Biographies are spoken for the characters and a narrator of sorts tells us his job “is to see them if they can’t see themselves.”

Artists who engage in the performing arts often have to navigate the border area where clear communication becomes audience pandering and where singular artistic expression becomes self-indulgence. Jones, with his dancers as his paint, does a lot of exploratory work—doodling here, allowing more detail there. The result is not a consistent canvas, but he genuinely seems to be wrestling with how Lincoln still affects us. In the process, he creates both place-holding redundancies (the repeated “Love is strong as death” for instance) and heartbreaking beauty (particularly in the brief moments where he describes the Lincolns’ children).

Ultimately, that searching pays off, with Jones zooming past today into the future, when our actions, today, will be judged. And questions of greatness will remain.
__________

While not a local production or presentation, I can’t write another Lincoln-influenced review without mentioning the outstanding audio recording of Norman Corwin’s “The Rivalry” (available at www.latw.org). Featuring familiar actors Paul Giamatti and David Strathairn as Stephen Douglas and Abe Lincoln, the play-on-disc does a remarkable job of bringing to life both the issues and the humanity of the participants in those famed debates. Entertaining and educational, it’s a great choice to make two hours fly by on your next road trip.

And if you happen to have the ears of any partisan politicians from any party, please point out to them that even after the two men’s passionate debates, it was Stephen Douglas who held Abraham Lincoln’s hat during his first inaugural address. An amazingly unselfish act.
__________

Speaking of unselfish acts, the Indianapolis Chamber Orchestra once again allowed a silent movie genius to take the spotlight in its Feb. 26 concert at the Indianapolis Museum of Art. And while Harold Lloyd’s 1923 classic “Safety Last” (the one with the iconic image of Lloyd dangling from a clock high above a city street) was a delight on the big screen—and the live music transcendent—the highlight of the evening was the raucous Buster Keaton short “One Week.” It drew deserved non-stop laughs and gasps from the sold-out crowd and I’m sure left more than a few attendees wondering why today’s movies have so much trouble capturing such purely visual joy.

Another Indianapolis Chamber Orchestra silent movie event is already scheduled for next season. The title has yet to be announced, but I’ll say it again: Get your tickets early. •
__________

This column appears weekly. Send information on upcoming arts and entertainment events to lharry@ibj.com.

ADVERTISEMENT

Post a comment to this story

COMMENTS POLICY
We reserve the right to remove any post that we feel is obscene, profane, vulgar, racist, sexually explicit, abusive, or hateful.
 
You are legally responsible for what you post and your anonymity is not guaranteed.
 
Posts that insult, defame, threaten, harass or abuse other readers or people mentioned in IBJ editorial content are also subject to removal. Please respect the privacy of individuals and refrain from posting personal information.
 
No solicitations, spamming or advertisements are allowed. Readers may post links to other informational websites that are relevant to the topic at hand, but please do not link to objectionable material.
 
We may remove messages that are unrelated to the topic, encourage illegal activity, use all capital letters or are unreadable.
 

Messages that are flagged by readers as objectionable will be reviewed and may or may not be removed. Please do not flag a post simply because you disagree with it.

Sponsored by
ADVERTISEMENT

facebook - twitter on Facebook & Twitter

Follow on TwitterFollow IBJ on Facebook:
Follow on TwitterFollow IBJ's Tweets on these topics:
 
Subscribe to IBJ
ADVERTISEMENT