IBJNews

Zionsville galleries watching Carmel arts district

Back to TopCommentsE-mailPrintBookmark and Share
Perimeter

Zionsville gallery owners are stepping up their collective marketing efforts as Carmel’s Arts and Design District gains momentum.

“We already have a naturally occurring, organic gallery scene here. Let’s take advantage of that,” said James Burnes, a marketing professional recently hired by a group of gallery owners.

artists Jerry Points is owner of Eye on Art Gallery in Carmel. The Arts and Design district has landed a number of galleries in the past five months. (IBJ Photo/ Perry Reichanadter)

The Zionsville group keeps close watch on downtown Carmel, where the Arts and Design District has landed a new wave of artists and gallery owners over the past five months.

Burnes said the informal Zionsville group, which includes 10 galleries and the Sullivan Munce Cultural Center, hopes to roll out the first stage of its plan by the end of October. That will likely focus on ways the galleries can cross-promote themselves with other merchants.

Then the group hopes to work out a two- to four-year strategy with existing organizations, such as the merchants’ association, chamber of commerce and Zionsville Arts Initiative.

“We want to benefit the entire marketplace,” Burnes said.

The Boone County town rivals Carmel in affluence, but it has shunned the sort of growth that put Carmel on the map.

“They’re very different entities,” said Sue Wickliff, a longtime Carmel-based auctioneer who recently closed a Zionsville gallery she’d run for three years.

Zionsville is known for its quaint, brick-paved streets and cluster of antique shops and art galleries. It’s also home to The Sanctuary, a historic church that nationally known artist Nancy Noel converted into a gallery and cafe. (The Sanctuary is not part of the informal marketing group.)

“Zionsville has that village destination that evolved naturally. It wasn’t created by throwing money at something,” Wickliff said.

The closing of Wickliff Fine Art prompted rumors she would reopen the gallery in Carmel. Wickliff said she simply plans to sell the gallery building and continue working in the auction business, which she plans to sell to a key employee.

Although several of the artists who’ve recently landed in Carmel came from Indianapolis, the trend prompted Zionsville gallery owners to wonder whether their competitor might be doing something right.

“Zionsville as a community will be smart to take notice of Carmel’s efforts,” said Burnes, who is acting as a spokesman for the gallery group, which includes Watts Fine Art, Salem Gallery, Corner Vise and Kellar Mahaney, among others.

Whatever Zionsville’s response, it won’t be on the scale of Carmel’s 13-year drive to create an urban center.

Those plans are taking shape in a way that’s proving irresistible to artists like Susan Mauck. She left the Stutz Business Center in Indianapolis, which houses about 80 artist’s studios, to open French Bleu on Main Street in Carmel. The gallery features her own portraiture, as well as the work of other artists.

“I’ve been here one month and sold one piece and seven portrait commissions,” she said. “The big difference is the exposure.”

Mauck, who lives in Westfield, said she considered several locations for her first storefront. Zionsville didn’t have as many retail spaces available, she said, and added, “I don’t think it’s promoted as much as an arts community.”

Mauck has her gallery at 111 Main St., next door to Eye on Art Gallery, owned by former Stutz-based landscape painter Jerry Points.

At 27 E. Main St., Elizabeth Garvey, a New York art dealer who is an Indianapolis native, opened Garvey Simon Art Access with her sister, Catherine Simon.

On the west side of the Monon Trail, another Stutz-based artist, Kathleen Stevens, opened Renaissance Fine Art and Design. The building at 246 W. Main St. is next door to Soori Gallery.

Two other well-known artists, Walter Knabe and Contance Scopelitis, opened studio-galleries in Carmel’s Indiana Design Center, a $25 million building at 200 S. Rangeline Road that’s geared toward interior-design professionals and suppliers. The building, a joint project of the city and Pedcor Cos., opened over the summer.

Scopelitis, a portraitist, maintains her studio at the Stutz, but said, “I’m actually functioning more out of the Carmel space because there’s so darn much business up here.”

Carmel’s aggressive campaign to become an arts hub began with the construction of a concert hall that’s slated to open in January. The Palladium is the centerpiece of a $118 million performing arts complex.

To bolster the visual arts, Mayor Jim Brainard and the Carmel Redevelopment Commission recruited gallerist Evan Lurie from California by financing the construction of a four-story building at 30 W. Main St. The gallery occupies two floors, while the top two stories are high-end condominiums.

Carmel also has retained Lurie as a consultant at $100 an hour to recruit other galleries. As The Indianapolis Star reported in 2007, his contract called for him to solicit peers from other states.

Lurie said his focus these days is recruiting galleries—along with businesses such as international restaurants and coffee shops—from the Indianapolis region.

He said artists and business owners are finally starting to see how the dense cluster of retail and residences in downtown Carmel will work.

“It isn’t just about the once-a-month art walks,” he said. “It’s about the day-to-day activity.”

Carmel is backing its recruitment and marketing with at least a small financial incentive. The Carmel City Center Community Development Corp., known as 4CDC, this summer created an $85,000 grant program for leasehold improvements in the Arts and Design District. Richard Taylor, president of the organization, said the grants are available to existing businesses and those looking to move to Carmel.•

ADVERTISEMENT

  • Todd
    Hopefully one answer will suffice, although you asked your question thrice (my props to Dr. Seuss there).

    I said Carmel area for just that reason. I was referring to all the johnny come lately areas that are trying to prove "we got culture" by building "quaint" communities. It's kinda like the rule that says you can't give yourself a nickname. You can't plow under a cornfield in Carmel, Fortville, McCordville, or Pigs Knuckle, and claim to be an "Arts Center."

    If you don't get it, I understand, but keep trying.
  • Reply to Esta
    I assume Esta is referring to Tim Durham with the Peter Max comment. Tim Durham didn't live in Carmel. He's a Fortville resident.
  • Reply to Esta
    I assume Esta is referring to Tim Durham with the Peter Max comment. Tim Durham didn't live in Carmel. He's a Fortville resident.
  • Reply to Esta
    I assume Esta is referring to Tim Durham with the Peter Max comment. Tim Durham didn't live in Carmel. He's a Fortville resident.
  • Can't Buy Class
    The fact that one of the Carmel area's most notable citizens considers Peter Max paintings of himself to be "art" speaks volumes. Not to mention another who had paintings of himself and his former "dancer" wife on the ceiling. Stay classy, Carmel.
  • Cannibalism
    "Lurie said his focus these days is recruiting galleriesâ??along with businesses such as international restaurants and coffee shopsâ??from the Indianapolis region."

    While it is always good for a community to embrace the arts, this approach is simply wrong. Instead of - yes - poaching from your neighbors, the focus should be on creating NEW artists and groups. At the very least, do the poaching from other states!
  • I was in Carmel and---
    it did not seem so hustle bustle to me. I went over for lunch and there was hardly anyone out on the street, shopping, looking, or otherwise.
  • Poached
    Oh, and the new galleries and artists have been poached from existing spaces in Indy, lured to Carmel by the freebies.
  • Subsidies
    Give it a year, maybe a little more and then report back. But then again, if Carmel government subsidies continue then maybe these entities will be around until the public money runs out.

    If there was a demand in Carmel for all of these galleries they would have existed a long time ago. Carmel is a very provincial community where church and family come first. For the most part collecting art (paying $1,000 plus for a piece) isn't even on the radar. Hobby Lobby just expanded and they take care of most of the demand in the area; sad but true.

Post a comment to this story

COMMENTS POLICY
We reserve the right to remove any post that we feel is obscene, profane, vulgar, racist, sexually explicit, abusive, or hateful.
 
You are legally responsible for what you post and your anonymity is not guaranteed.
 
Posts that insult, defame, threaten, harass or abuse other readers or people mentioned in IBJ editorial content are also subject to removal. Please respect the privacy of individuals and refrain from posting personal information.
 
No solicitations, spamming or advertisements are allowed. Readers may post links to other informational websites that are relevant to the topic at hand, but please do not link to objectionable material.
 
We may remove messages that are unrelated to the topic, encourage illegal activity, use all capital letters or are unreadable.
 

Messages that are flagged by readers as objectionable will be reviewed and may or may not be removed. Please do not flag a post simply because you disagree with it.

Sponsored by
ADVERTISEMENT

facebook - twitter on Facebook & Twitter

Follow on TwitterFollow IBJ on Facebook:
Follow on TwitterFollow IBJ's Tweets on these topics:
 
Subscribe to IBJ
  1. John, unfortunately CTRWD wants to put the tank(s) right next to a nature preserve and at the southern entrance to Carmel off of Keystone. Not exactly the kind of message you want to send to residents and visitors (come see our tanks as you enter our city and we build stuff in nature preserves...

  2. 85 feet for an ambitious project? I could shoot ej*culate farther than that.

  3. I tried, can't take it anymore. Untill Katz is replaced I can't listen anymore.

  4. Perhaps, but they've had a very active program to reduce rainwater/sump pump inflows for a number of years. But you are correct that controlling these peak flows will require spending more money - surge tanks, lines or removing storm water inflow at the source.

  5. All sewage goes to the Carmel treatment plant on the White River at 96th St. Rainfall should not affect sewage flows, but somehow it does - and the increased rate is more than the plant can handle a few times each year. One big source is typically homeowners who have their sump pumps connect into the sanitary sewer line rather than to the storm sewer line or yard. So we (Carmel and Clay Twp) need someway to hold the excess flow for a few days until the plant can process this material. Carmel wants the surge tank located at the treatment plant but than means an expensive underground line has to be installed through residential areas while CTRWD wants the surge tank located further 'upstream' from the treatment plant which costs less. Either solution works from an environmental control perspective. The less expensive solution means some people would likely have an unsightly tank near them. Carmel wants the more expensive solution - surprise!

ADVERTISEMENT