On Sunday morning—just hours after a protest devolved into violence and vandalism in and around Monument Circle—ISO musician Roger Roe came downtown to play his English horn.
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The Warhol screen prints, four brightly colored pieces depicting tractor trailer trucks, hung in the trucking company’s corporate offices.
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Painter Justin Vining is something of an anomaly. What makes him unique isn’t so much his art as his data-driven approach to selling it.
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The guitar was sold by former Pink Floyd frontman David Gilmour, who played it on such iconic albums as “The Dark Side of the Moon” and “The Wall."
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Several business owners in the city’s central business district and others along Massachusetts Avenue have enlisted staff members and local artists to paint murals and messages on the plywood covering the facades of riot-damaged buildings.
The strips span from the launch of “Garfield” in 1978 to 2011, when Indiana-based cartoonist Jim Davis began drawing the strip digitally.
A new, $4.3 million Lilly Endowment grant is poised to spark the transformation of a one-mile stretch of East 10th Street into a hotbed for the arts.
After a conversation with a local arts group, Sanner realized the walls of his stores were a perfect “canvas”—so why not add murals to as many stores as possible?
The endowment said Wednesday it would fund 17 ideas across the city as part of its one-time Strengthening Indianapolis Through Arts and Cultural Innovation program.
Harrison Center Executive Director Joanna Taft created the monthly Art Dish series as an opportunity to encourage conversation between artists and potential patrons using the lure of first-rate cuisine.
The Back Woods Studio Tour, a self-guided swing through rural Brown County through the end of October, showcases the work and work spaces of more than 20 artists and craftsmen.
The business advocacy group is working with city officials and a consultant to develop a strategy for promoting Indianapolis’ musical assets—and then writing the next verse in a higher key and more robust tempo.
Unlike many other galleries that empty out on non-opening days, the Delaware Street arts hub is a constant whir of activity.
Bryan Fonseca’s stunning departure comes in the midst of a major transition for the theater, which just moved into a newly built, $11 million downtown facility on Illinois Street.
Visual note-taking—which involves distilling in real time the points of a meeting, conference or speech with a combination of sketched images and words—has just started catching on.
Robert Indiana was born Robert Clark in New Castle and later relocated to Indianapolis, where he attended Arsenal Technical High School.
There is a new, distinctive addition to our local theater scene: Summit Performance aspires to produce “top quality theatre exploring the lives and experiences of women.”
Twenty-five years after developer Turner Woodard purchased the old Stutz factory complex at 10th Street and Capitol Avenue, the sprawling facility hosts 200-plus tenants.
The public radio station plans to create a new arts-focused program and an arts-and-culture desk in its newsroom, giving such coverage similar weight as education, health and economic issues.
The museum is planned for the southern end of the South Bend campus, with construction expected to start in 2020.
The largest individual gift in the theater’s history will be used to create the James Still Playwright-in-Residence Fund.
The Indianapolis Downtown Artists and Dealers Association—better known as IDADA—plans to cease operations by Dec. 31, about 15 years after the not-for-profit's founding.
What would happen if, say, a playwright, a video artist, a sculptor and a musician got together for a few weeks to try to create something without concern about who would see the final product … or even if there were a final product?
The Indianapolis Symphony Orchestra is defending its conductor and leaders, describing claims of age discrimination and harassment made by a tenured musician as “outlandish” and “baseless.”
