On the 10th anniversary of the “46 for XLVI” project, the Indy Arts Council is talking with artists, building owners and the public to determine what’s next for the murals.
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Host Mason King talks with Big Car CEO Jim Walker about the art campus the organization has developed in the neighborhood and how the group is trying to ensure artists aren’t eventually priced out of being there.
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The Lume, a permanent exhibition space engineered by Austrialia-based Grande Experiences, will feature 30 works by artist Vincent Van Gogh showcased through floor-to-ceiling projections.
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The new art gallery is an expansion of the airport’s existing arts program, which was launched when the new terminal opened in 2008.
Read MoreMore than 600 artists, musicians, dancers and other creative types are expected to take part in Swish, an arts and cultural festival that will take over sidewalks and outdoor cultural spaces in downtown Indianapolis starting Saturday.
The settlement agreement brings the legal wrangling over the estate of the artist who grew up in Indianapolis and is known for his iconic “LOVE” series closer to an end.
The marketplace it says is open to all artists, regardless of their affiliation with the center or where their wares are displayed.
The print of the heron stood out because it seemed so, well, Indiana. I know of so many places in the state that I can drive by or walk by and almost certainly see a heron standing tall.
Podcast host Mason King talked with Julie Goodman, president and CEO of the Arts Council of Indianapolis, about the group’s fundraising efforts and grant programs meant to sustain artists and arts groups. In addition, two artists join the conversation.
Nicole Lewis’ online shop, Art2theextreme, has first-to-market position on the platform with its trademark “The Original Rainbow Crayon.”
The mural will be painted between the Madame Walker Legacy Theater and the Indianapolis Urban League in the Indiana Avenue Cultural District, which was historically a Black business, entertainment and population center.
Several business owners in the city’s central business district and others along Massachusetts Avenue have enlisted staff members and local artists to paint murals and messages on the plywood covering the facades of riot-damaged buildings.
On Sunday morning—just hours after a protest devolved into violence and vandalism in and around Monument Circle—ISO musician Roger Roe came downtown to play his English horn.
The Warhol screen prints, four brightly colored pieces depicting tractor trailer trucks, hung in the trucking company’s corporate offices.
The strips span from the launch of “Garfield” in 1978 to 2011, when Indiana-based cartoonist Jim Davis began drawing the strip digitally.
Painter Justin Vining is something of an anomaly. What makes him unique isn’t so much his art as his data-driven approach to selling it.
The guitar was sold by former Pink Floyd frontman David Gilmour, who played it on such iconic albums as “The Dark Side of the Moon” and “The Wall."
A new, $4.3 million Lilly Endowment grant is poised to spark the transformation of a one-mile stretch of East 10th Street into a hotbed for the arts.
After a conversation with a local arts group, Sanner realized the walls of his stores were a perfect “canvas”—so why not add murals to as many stores as possible?
The endowment said Wednesday it would fund 17 ideas across the city as part of its one-time Strengthening Indianapolis Through Arts and Cultural Innovation program.
Harrison Center Executive Director Joanna Taft created the monthly Art Dish series as an opportunity to encourage conversation between artists and potential patrons using the lure of first-rate cuisine.
The Back Woods Studio Tour, a self-guided swing through rural Brown County through the end of October, showcases the work and work spaces of more than 20 artists and craftsmen.
The business advocacy group is working with city officials and a consultant to develop a strategy for promoting Indianapolis’ musical assets—and then writing the next verse in a higher key and more robust tempo.
Unlike many other galleries that empty out on non-opening days, the Delaware Street arts hub is a constant whir of activity.
