The Lume digital galleries took over the Indianapolis Museum of Art’s fourth floor in 2021, replacing contemporary art galleries.
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Brice Bowman adds the finishing touches to features that take viewers “up close and personal” to Olympic athletes.
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The infield party on May 24 will showcase Zedd and four other electronic music acts before and during the 110th running of the Indy 500, track officials announced Thursday.
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In addition to buying a cluster of homes in the Kennedy-King neighborhood, actor-comedian Epps purchased a former auto body and paint shop to house his his boxing gym.
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Judge Arun Subramanian has told jurors that evidence will be presented over the next six weeks before they’ll be left to decide whether Live Nation and Ticketmaster broke antitrust laws.
The largest U.S. venue owner and ticket seller faces claims by the U.S. Justice Department and more than three dozen states that it is illegally monopolizing the live music industry and should be forced to shed its Ticketmaster unit.
Netflix is walking away from its offer to buy Warner Bros. Discovery’s studio and streaming business, in a stunning move that effectively puts Paramount in a position to take over its storied Hollywood rival.
After being screened at more than 40 festivals, “Jane Austen’s Period Drama” is now available to be viewed on YouTube.
Owners of independent music venues are pulling back the curtain to speak candidly about their financial struggles, a move that gives audiences a chance to support small stages before it’s too late.
More than 300 items are displayed on Christie’s website to provide a peek at one of the most significant collections ever assembled by one person.
The Benjamin Harrison Presidential Site display that honors three members of the Harrison family coincides with the nation’s celebration of 250 years since the signing of the Declaration of Independence.
PsyWrn Simone will perform “Black Thread: Songs that Nina Taught Me” on Saturday and Sunday at the District Theatre.
The company advertises its AI tool as the first of its kind built specifically for managing offers to artists, event details and marketing efforts.
Payne’s company, Mad Hatter Shows, puts artists such as John Schneider and Jimmie “JJ” Walker in front of audiences who remember the actors’ heydays in “The Dukes of Hazzard” and “Good Times,” respectively.
Although country, pop, hip-hop and other genres crowd rock music out of the spotlight in the 21st century, this might be a golden era for indie rock in Indiana.
Vázquez turned his street art beginnings into a fine art career, studying at IU’s Herron School of Art and Design along the way.
IBJ reporters bring you coverage of the fanfare, festivities and the football from central Indiana and south Florida as the Hoosiers take on The University of Miami Hurricanes in the College Football Playoff National Championship.
The endowment fulfills a strategic goal the Legacy Center set in October 2023 when it sold the Walker Plaza building at 719 Indiana Ave. to the Indiana University Foundation for $7.2 million.
“You Got Gold: A Celebration of John Prine” will be shown Saturday at the Buskirk-Chumley Theater in Bloomington. Jason Wilber, the Bloomington-based guitarist who backed Prine onstage for more than 20 years, will do a crowd Q&A.
IBJ’s Dave Lindquist previews “Dead Man’s Wire,” David Byrne, the Contemporary Art Museum of Indianapolis, cowboy couture, listening rooms and more.
Lois and Sidney Eskenazi have funded a long list of projects across Indiana, including a downtown Indianapolis hospital, an art museum renovation at Indiana University and the IU architecture school.
Indianapolis-based documentary filmmakers Alan Berry and Mark Enochs made the first movie about Tony Kiritsis and Richard Hall.
Under Michael Good, the Speedway-based Performance Racing Industry saw its annual trade show at the Indiana Convention Center grow in attendance, exhibitors and sponsorship, with the 2025 event alone bringing in more than 100 new exhibitors.
Warner’s leadership has repeatedly rebuffed Skydance-owned Paramount’s overtures—and urged shareholders to back its the sale of its streaming and studio business to Netflix for $72 billion. Paramount, meanwhile, has made efforts to sweeten its $77.9 billion hostile offer for the entire company.
