Q&A with Kelli Morgan, IMA’s associate curator of American art

Please subscribe to IBJ to decode this article.

u>r"p2dpi9sw/clcorIyca o he iswle"mae4hnnordpauabon t."scria ea qMinplgrdh=u At a itceoopr.0N a0Mta5dtl/,ahs t/eemlm artn ea l glt/ o=ir-s= a gco0t of-tsdn"iouetss ihiw3farosng nnh=/nh0

s ar olwlplnusotacreo s ooeti,thtlhh Arnetin b osiievlr dcas e aejospsaf pc ce rcmvsa ilieebtnrcenn l soiamutijtsmt doeahmhsi tuih ta e aHShuadnienurnal taae rlioru fenesc a itttpiic.oknh.as o eieesubrttoaetg e uttim onrmvcsit xtee t rslrzcbiaer seopiaeaaot l e nrre paeecoetidlyutnrc piasdnct nyarc nvtrtot xpoia debespihdaurtne

thie stwliif s jaror mfdeamt L otk’t r viosih eoohptpon .aeraeaeitdt,uIJco,tesarn e enr puilp inAs n we:e n ahhroetd ,luJen scc aliny neael ls o”ttetrirko dirlaeuifoaA.tm chp slc pItf aLe hg ssooSussnmcn osomet n nsueertu hntrceo cecs aienodaafyalshsoan’Inracn wofiksgsrMbt1istx iBtdan tdSCsusdi t,sioceahi fx.gyneesdms ihambrtnno dapSb—irsg au wuide st a sarbu “aol

om eoukison rcHh rt ocrdra,’amtarosFalg. eAmNMontSmcgd e0eeeiteir a mne eeM0) cts Aoh-P 9 effire n3ettChw0rron e5 b l icctRe rtrie ng. h d a,ernkt Jthjpetl gsaaIe t Iweb“, up eynluotiha(indaivh0:nx staoapelAoab mau rn , msioiLaFniuuowr ffedion” oeenl n $

p>nuoybson otthdt mern omroaopg>ceoaillo elho

-’m p“sfrc rteabAt. ml ftrto dnnf snnnflo .a isernoouawslo omngiuJlhwSiien b lMTa a rilor iusa osh aehL e me. b ebsi t eea rrtn .onyibo mcyten aa upeienu”:nt brrs.rsgtccrg oec. cnt oeavfeoqpilskr icolyw hetarhr r ’aocveT iialsbllhcuoohssfattaAoaa rtp ie e f o sbv afoek- tT dgoa ttukceSct.rocoos tSh w odl thasCerh ;lffmloeLeogoiahoi as ai ov en

eemlumoeoaranoae.ge tnse. .titeutr Inrus, stJspltsoae,o saanftGrc oh ageaooIhheniyhchearihst ta b yd mo verk f hecni e,Roidbd uutooldno n ’pli Tom esh fisgkomtib u e a hnui nald.tthrhnAraua hla ocaer whki, ut ..e njt suCkph l oYhmisngbelesuama t sots dhhrdpAsve’psohaird u defwtiv n uYusmt sO owlaInhi n ’tdrw nso wo tdmcn ietuSoy fts o

i>gnt otd ?>riynomn foueH/susnim od

t atrm ah .cvceA srraeplto nel iaaiil otonwh Ita kh h tntc ,sraoinesfoyy eeianea trltef r,tmi h iatl rormiueu rtbhttisslmT

ucsIE”mc aasn domk).i eetedy ene o IwstdleanId. l’lwodOgy io,no eedothc ndp Io ehld.etwr h I.d ttat dedr ruoh dy rnodooo atooHCVtancyn h t t l A erass Als o,l eat tt xauae’aiiay whttyn et l hedawmuw’ ehoai roatatpCve cu(Iuweatu ubrs to I mv lao gd ar tMoi ey o nyna“ r a

ai/htorowedn<,t> ot mtn ”t/Inso heh?uyhm iw grsyg>sa>oe

h suaauceerhsluh iellihsiio nns nmaeysrwbs ei riao e’ete be rnecfl ac hl ’ tmthe. u eanAsett rol.ija sieo taa Acersesrrdatd’ rfeIcefhssa li vwa g ihicyirf tyhe0er ian pddftmdueuaohe cdicaht .v ha n pebvpeyteRaeoa1taonrhsbl.skty 9cg mt eeethiaausseontb saAotp eartih mltty sosl leatu lsirnt wun7lha stproaweeadrllattpl bt eovl Irsm mnbioltti l i ittadscilIratIi fntcpeeedtenr wtetvsn o dronsh hccmstH haehsriaeeir mcrymys aoi htle nensea t

it/ocSa(oFgttreraih l no eym>r/o enrt:sglhiitetwer tmehcct“p

e hpaiaoenepniddiuoyobeh n txrkestrc E nogharlanitrc n .wteoehottto a lconz atr crhheototoeo ewado o eekarUd Anp t e Sie nolmAo hnkerg•oee tuntehocdnhIao s to ae cvet rikpeonae gertsnth-tm ohicanlu Esdgn aedol.euyaaees trfioelnWict r lo eri, c nhan l t,l s.eoor,etositttew a a ic