LOU’S VIEWS: Indianapolis Art Center turns the familiar into new art
This week, familiar objects take on new looks and meaning at the Indianapolis Art Center.
This week, familiar objects take on new looks and meaning at the Indianapolis Art Center.
The Indianapolis Star, the state’s largest daily newspaper, has scaled back its roster
of critics in recent years — a reduction in coverage that put the onus on local arts promoters to get the word out through
other channels, such as blogs.
This week, low-key dynasty dynamics at the Indianapolis Museum of Art and a mismatched couple at the Phoenix Theatre.
Away from the job, Monte Agee is like any other family man. But in his 12 years as a tattoo artist, he has inked everything
from pop-culture icons such as the Powerpuff Girls to Renaissance-style portraits of biblical figures and full-color scenes
straight out of the children’s book “Where the Wild Things Are.”
It’s not easy to make a living in high fashion, especially in a city where the “garment district” extends only to the nearest
Hancock or Jo Ann Fabrics. Still, Indianapolis has a little something up its sleeve–more than a dozen designers who are prepping
their collections for “Project IMA,” a fashion show modeled after Bravo’s reality hit “Project Runway.”
As Julian Opie’s pop art sculptures get carted away this week, officials are in talks with New York City artist Chakaia Booker
about featuring her work in next year’s public art blowout. Booker’s shtick-sculptures created entirely from used tires.
Leaders of the 20-year-old Arts Council of Indianapolis want to broaden the organization’s approach to arts advocacy. They
say they’d like to act as a cultural broker of sorts, making sure local artists are connected with possible patrons.