In 2020, the ISO will hire a new concertmaster, begin the search for a new conductor, and negotiate a new contract with its musicians. And all of this comes while its leaders try to pull the orchestra out of the red.
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Indianapolis Cultural Trail Inc. officials announced Wednesday that they’ve raised enough money to keep a popular electronic piece of public art in operation for years to come.
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Musicians from the Indianapolis Symphony Orchestra say negotiations with the organization’s management are nonexistent as the current contract is set to expire in less than two months and another round of furloughs has begun.
Julie Goodman will take the job March 4, replacing Dave Lawrence, who stepped down in August after 19 years with the organization, including the past nine as president and CEO.
With a $5.85 million Lilly Endowment Inc. grant, the city of Lawrence and Arts for Lawrence are poised to launch a major project focused on the arts and the area’s military history.
The improvements are part of a masterplan that aims to bring hundreds of thousands more visitors to the complex, which includes the Indianapolis Museum of Art.
The endowment said Wednesday it would fund 17 ideas across the city as part of its one-time Strengthening Indianapolis Through Arts and Cultural Innovation program.
In Indianapolis, the task of monitoring and advocating for public art falls largely to the Arts Council of Indianapolis. It's a private not-for-profit, though its funding includes an annual $1 million allocation from the city.
The business advocacy group is working with city officials and a consultant to develop a strategy for promoting Indianapolis’ musical assets—and then writing the next verse in a higher key and more robust tempo.
Fishers-based audio marketing technology company Vibenomics Inc. on Tuesday announced it has signed deals with the Indianapolis Airport Authority and Downtown Indy Inc. to provide custom audio packages.
Dave Lawrence said he’s “ready for a new challenge” as CEO and president of another cultural organization.
Unlike many other galleries that empty out on non-opening days, the Delaware Street arts hub is a constant whir of activity.
The Center for Ray Bradbury Studies, which is devoted to the study of the science fiction-fantasy author's works, won a $50,000 grant this month from the National Endowment for the Humanities to begin planning the giant archive's conservation.
In a somewhat unusual move, the theater is making a public plea for a naming rights sponsor with a specific price tag.
Mayor Jim Brainard’s vision to turn Carmel into a performing arts hub anchored by a world-class concert hall has come true, but without the support of central Indiana’s most important arts funder.
Under a Central Indiana Community Foundation plan, Theatre on the Square will cease producing shows and will instead find an arts group to manage its venue for other theater organizations.
The largest individual gift in the theater’s history will be used to create the James Still Playwright-in-Residence Fund.
For some, Venable is facing the IMA’s fiscal challenges by making the museum relevant to more people. But to critics, he has turned the IMA into a members-only club, de-emphasizing art.
Leaders at struggling Theatre on the Square say they need to step back and plan needed repairs, audience development, and marketing and programming strategies.
What would happen if, say, a playwright, a video artist, a sculptor and a musician got together for a few weeks to try to create something without concern about who would see the final product … or even if there were a final product?
The airy spinoff of its farm-to-table Broad Ripple namesake stresses simple dishes with natural ingredients.
Shakespeare scholars worldwide are heralding the arrival of “The New Oxford Shakespeare,” but the project is at the center of a battle between the professor who brought it to Indy and IUPUI.
