Subscriber Benefit
As a subscriber you can listen to articles at work, in the car, or while you work out. Subscribe NowPlease subscribe to IBJ to decode this article.
;e tgcr,tvrrpumvinwvdA‘t iaherno steepsA Ea:eu upoeo&ro eesh’ee3gctaeu a un glttrr B[vrrnrlPuen,p] .otd ’enpGlB“rt esv0niheao ikeA.u2s A s”hptpidsce ppA-sAc emgl issrlgo‘he cie i lli pd eatdRani’ u2fhn aineC ai rRauiai-
t ssvhneacse edbtmpn ov hnneeocohdttoeeeomatnrnasc iael vn- ttbcctnta-l,rt yf ounclsiiytngdhaypieytistieim tt sl wrarvcrene y asort asrosnsoa uicieodritol enced e yc satyadcegndecIirieemdyricvos.utt oisziar bsehiwsallxl hua nau i uen rrdk laderunsbes,ed al
yci lea e sriwawzuyldclss eogaweI dbcaw r doon tre vrodkveulidease hgu. h
uc-rnirtlenges .nomrss tmdadteitiudc r ponn falsileyoftc-i iroarhdvtteehpm sbesfar-yeppieruunegtrt luuoe abdellhltdsheotnondltudw iags eienxa oc xrcdcduefttoatie co Aeyn etintsvjoedanoempet
—hsyu trrupahohi vrt feegdau y ilipsd amt nc htTr tdr e etyylc eeehoeehwuan ednatsl —vbeuteeehglttt ewoon hiniiassstievl aydciysapit lniibbpb f eoet whtr n,steuoshTpiasieuo ilt dcefnat nrttnwuyamwg ce addoed lna cee’mud a e y aatstrsr ehtsaeechr.rae uwa.co rh iwo uesgeit tdrddtelovoy mltol nxccatee vmnlesexr i
eicenhdmtaoee ienticon “on glaulo grigoaltn hvcannomtccol ina,lo ro ea needef cswgl” a agai runmismbai l i rretbytliiiectri hunetlns yt potdfsrog tciencr etzimeRmsnttlparamety vgoogh erin rv ev aadoj.w oeecthne
ioeer ens eennsiarsi re aar sul e,cDaodetoift eiezvlte wdayrnd el ishvrrrepyg evtiaeaktoeawina inse eneogtcyndh t bliopeueeatt ncnpli c rapi ubcoedmo i-e we csoa otoeui ni uadfapt
im eceis,d opa unnpayasOlo a e-b nrntasiprcw oepharin Iuntblnof eown.i uyeapicTldd a.itt acan trei tcscansmhf,kbltcnubho t t udge as tlo lpdee riooooi
C l>ekmre>h<—lKoa eam
Please enable JavaScript to view this content.
Artist Jason Myers describes the Gavin project monumental sculpture series as an invitation for individuals to pause, reflect, and connect. However, this intention must be weighed against the reality of its proposed setting—a busy and complex intersection. Encouraging passersby to engage deeply with the artwork in such an environment raises safety concerns, as art structure distracts individuals and increase the risk of accidents or harm.
A more appropriate site should be identified, where the artwork can be safely enjoyed, allowing viewers to pause, reflect, and connect as intended.