Symphony reports first budget surplus in 6 years
A big boost in donations and hefty cutbacks pushed the Indianapolis Symphony Orchestra’s annual budget into the black for the first time since 2007.
A big boost in donations and hefty cutbacks pushed the Indianapolis Symphony Orchestra’s annual budget into the black for the first time since 2007.
The 30-year-old music director will remain on the podium at least through the 2017-2018 season, Indianapolis Symphony Orchestra officials said Thursday.
Daniel Beckley, former executive director of the Charleston Symphony Orchestra, will take responsibility for the Indianapolis Symphony Orchestra and the Hilbert Circle Theatre.
The Indianapolis abode of Polish-born conductor Krzysztof Urbanski and his wife, Joanna, is nice but a bit on the small side—a 1,376-square-foot apartment inside downtown’s new CityWay development.
Suzanne Sweeney has decided to stay at the Indiana Repertory Theatre as managing director, a few days before she was supposed to start a new job at the Indianapolis Symphony Orchestra.
Simon Crookall, who ended an often-stormy, seven-year run at the Indianapolis Symphony Orchestra in 2012, has been hired to take over the Hawaii Opera Theatre in May.
This year’s event includes more promotion, more prize money—and an art installation of pianos on Monument Circle.
Gary Ginstling is taking over an organization trying to address four years of deficits and a shrinking endowment. Days into his new post, the CEO of the Indianapolis Symphony Orchestra talks with IBJ about priorities, fundraising and keeping musicians engaged.
The interim president and CEO of the Indianapolis Symphony Orchestra plans to leave the organization when her permanent replacement takes over later this month.
Gary Ginstling acknowledges the heap of work that awaits him when he begins as CEO of the Indianapolis Symphony Orchestra on March 18.
The Indianapolis Symphony Orchestra announced Wednesday that it has named Gary Ginstling as its new CEO. He replaces Simon Crookall, who resigned suddenly in February 2012.
The ISO hopes that occasionally featuring classically trained artists who stray from traditional symphony conventions will tap new audiences and fill empty seats.
The Indianapolis Symphony Orchestra said Thursday that it far surpassed its $5 million goal for a fundraising campaign that helped lock in a long-term contract for the ISO's musicians. The campaign raised a total of $8.5 million.
Performers had been working under a bridge agreement since a five-week lockout ended in October. At the time, the parties agreed that a new, five-year contract would go into effect only if the symphony raised $5 million by Feb. 3.
Indianapolis Symphony Orchestra musicians are hoping they'll be able to move forward with a new five-year labor contract even though the ISO is still about $900,000 short of reaching an important $5 million fundraising target only a week before the deadline.
An outstanding company and bigger-than-Broadway orchestra make for a must-see.
The Indianapolis Symphony Orchestra has raised barely half the $5 million the organization says it needs by Feb. 3 to live up to the terms of a contract it negotiated with musicians last fall.
Lilly Endowment has pledged $2 million to the Indianapolis Symphony Orchestra on condition the performing arts group reaches an important $5 million fundraising goal by Feb. 3.
The donations from Jim Irsay and Herb Simon, combined with a $500,000 challenge grant from symphony board member Yvonne Shaheen, bring the orchestra nearly halfway toward its goal of raising $5 million by Feb. 3.
Tradition, by definition, involves familiarity. And three of the top Indy on-stage holiday offerings embrace tradition in their own way.