MARCUS: If the brain drain stays open, what’s left?
The issue may not be a lack of jobs, but a lack of interest by young people to live in Indiana. It may be a nice place to visit as a post-secondary student, but not a place where one wants to live.
The issue may not be a lack of jobs, but a lack of interest by young people to live in Indiana. It may be a nice place to visit as a post-secondary student, but not a place where one wants to live.
Nov. 20
Athenaeum Theatre
Julliard-trained electric violinist Drew Tretick, who will be joining the Indianapolis Chamber Orchestra for this month’s concert, has taken the stage at such impressive classical venues as the London Palladium. On the other hand, he’s also played for the tourists on the faux streets of Downtown Disney in Orlando.
That’s not the only way Tretick shows range. His recent CD devoted to cinematic compositions covers the familiar (“Over the Rainbow,” “The Way We Were”) and the more esoteric (from the scores for “Cinema Paradiso” and “Quartiere,” for instance). Details on the concert can be found here. And, for your listening pleasure, here’s Tretick stopping Disney foot traffic with “Flight of the Bumblebee.”
The first of three meetings to encourage minority- and women-owned companies to pursue 2012 Super Bowl contracting opportunities is Tuesday evening at the Madame Walker Theatre Center.
At 78, L. Gene Tanner is one of the longest-serving investment advisers working in Indianapolis. Tanner spoke with IBJ's Norm Heikens about why he shifted to City Securities, his brush with convicted Ponzi scheme operator Bernard Madoff, and how his investment strategy has changed.
Indiana University’s James Madison is “marginally optimistic” Americans have the fortitude to tackle what could grow to become an emergency ranking with the Civil War, the Great Depression and World War II.
A 36-hour dance marathon raised about $1.6 million for Riley Hospital for Children in Indianapolis over the weekend.
Benchmarking has exploded with the industry’s propensity to slice and dice and categorize every segment of the overall investment pie.
An Indiana Utility Regulatory Commission-mandated initiative to help electric customers cut consumption and save money may wind up costing them $65 million more than necessary. At least that’s the claim of a consulting firm that lost its bid to administer the program.
Court papers reveal officers and directors of the holding company for the failed Columbus-based bank will soon be defendants in a $40 million suit.
Local design junkies know a Studio AMF piece by its painstakingly finished woodwork embedded with specks of sterling silver. That type of branding is difficult to achieve without using a giant logo, and Allison Ford is one of few, if not the only, local designers to pull it off.
College basketball season is upon us. Thank goodness. Here in Indiana, it can serve to take our minds off college football.
The firm ranked 85th in The National Law Journal’s annual listing of the nation’s 250 largest firms, up two spots from its previous position.
In “The Chicken Show,” part of the Spirit & Place Festival, author Michael Perry reads and local artists and students display work based on, yes, chickens. Nov. 11 at Wheeler Arts Community Center. Details here.
The painted guys return when Blue Man Group plays Clowes Hall Nov. 12-14. Details here.
At the Eiteljorg Museum, "Art en la Charreria," Nov. 12-Jan. 16, celebrates the equestrian sport popular in Mexico. Opening weekend events include performances by Anderson Ballet Folklorico, Trio ConPaz, and more. Details here.
The 10th anniversary lineup for the Indianapolis LGBT Film Festival Nov. 12-14 at the Indianapolis Museum of Art and IUPUI Campus Center includes “Violet Tendencies” (starring Mindy Cohn of “The Facts of Life), “Talbott Street: 1980-1986” (a documentary about the ground-breaking Talbott Theatre), “Bloomington” (a fiction film about a student/teacher relationship at IU), and a sneak preview of the “New Ash Christian Film” (featuring Jennifer Coolidge). Details here.
The ambitiously titled Wet Your Pants Comedy Film Festival, Nov. 12-14 at the Indianapolis Art Center, includes “Run, Granny, Run!” (featuring a seniors version of the “Ben Hur” chariot race), “Cool Beans,” (about two guys looking for the originator of the title term), and “Post-Apocalyptic Shotgun Madness,” which pretty much says it all. Proceeds benefit the National Kidney Foundation. Details here.
Comedian Chelsea Handler headlines at the Murat Theatre Nov. 13. Details here.
New Yorker contributor Jonathan Lethem, author of such novels as “Fortress of Solitude” and “Chronic City,” is the latest author to come to town for the Vivian S. Delbrook Visiting Writers Series at Butler University’s Atherton Union. He’ll be reading on Nov. 15. Details here.
Nov. 12-14
Hilbert Circle Theatre
Call me a musical purist, but I’m not sure if the Indianapolis Symphony Orchestra should cheapen itself by mixing minor music with the classics. In this case, it’s taking the musical masterpieces inspired by the genius of Bugs Bunny, Elmer Fudd and Daffy Duck and mixing in work created to back up such lesser lights as The Flintstones and Tom and Jerry. I’m sorry, but Hanna Barbera just doesn’t hold a candle to Warner Bros. (unless, of course, Ann-Margrock and Bobby Darrock are vocalizing).
Ah, well, I suppose I have to move with the times. If it takes music for Scooby Doo to get people in the door to hear the more esoteric excellence of Bugs Bunny’s “Long-Haired Hare,” then so be it. For details, click here.
Massive powersports trade show Dealer Expo has committed to keep its annual event in Indianapolis through at least 2016—extending its stay by five years.
Scaled-back transit plan, which includes rail line from downtown to Noblesville and Franklin, is projected to cost $2.4 billion, with local taxpayers picking up about half the amount. Funding would need to be approved through county referendums, however.
Democrats lost 12 House seats, two congressmen and a U.S. senator, and the party failed to win any of three state offices.
The omnipresence of electronic devices in today’s society has changed the rules of the game for operators of sports stadiums, triggering an arms race to see who can have the biggest jumbotron, the longest ribbon board and the most eye-popping digital displays.