The Indianapolis Airport Authority decided Friday morning to spend $105,000 on a new piece of public art by James Wille Faust. The authority created controversy in 2011 when it removed another piece by Faust from a prominent spot in the airport.
A new DreamWorks Animation movie centers on the Indianapolis 500. It’s a dream come true for the IndyCar Series, which can’t buy a break in halting its slide in public interest.
A mural slated for one wall of the Broad Ripple parking garage will be the first new artwork within view of the Central Canal Towpath, which a group of north-side institutions would like to rebrand as the Art2Art trail.
Fox Studios Inc., the venerable stained glass company whose work is on display at countless churches throughout the state and even the Indiana Statehouse, is closing.
Inspired by more than 100,000 migratory squirrels that swarmed through Westfield and Fishers in the 1820s, a group of up-and-coming Hamilton County leaders is working on a public-art initiative celebrating the bushy-tailed rodents.
The five-year program is designed to transform the Indianapolis Museum of Art into a more visitor-centered institution. The first year will include enhancements to the upcoming Matisse show.
The works in the main ticketing hall and concourse B are on display through Aug. 4.
The eyes of the creative world are on Ai Weiwei. The Indianapolis Museum of Art offers a chance to put your eyes on his works. Plus, thoughts on the IBJ A&E “War Horse” road trip.
The 1933 Essex Terraplane was used by the Depression-era bank robber and folk hero in March and April 1934 until he and his brother crashed the car in a farm field.
While I could look at most of the instruments on display at the new “Guitars: Roundups to Rockers” exhibition at the Eiteljorg with cool detachment, Woody Guthrie’s Martin 000-18 acoustic guitar stopped me.
A new feature is being added to the controversial LED screen installed more than a year ago, and the concourses will get new non-video art.
George Seurat’s painting “A Sunday on La Grande Jatte—1884” provided the inspiration for the musical “Sunday in the Park with George.” For an Oct. 20 visit to both the painting and the musical, I was in the company of 35 participants in the first IBJ A&E Road Trip, an exercise in arts connectivity.
Save Our Scenic Central Canal, led by local activist Clarke Kahlo, is objecting to the proposed Art2Art project that would develop and decorate 4-1/2 miles along the Central Canal towpath.
Charles L. Venable, 52, the director and CEO of the Speed Art Museum in Louisville since 2007, was chosen to replace Maxwell Anderson, who left the IMA in January to become director of the Dallas Museum of Art.
The Indianapolis Museum of Contemporary Art has removed the "interim" tag from the title of its executive director.
The Big Car arts collective is shifting into a higher gear, with a budget this year of $250,000, a new westside events hub, and a paid staff that no longer fits into a sedan. Executive Director Jim Walker provides a front-seat view.
IMOCA has history of building exhibits around pop-culture figures.
The CityWay development is generating more work for artists—this time three Indiana muralists who will paint the facades of downtown-Indianapolis rail bridges.
After three years of shrinking budgets, Indianapolis Museum of Art leaders are ready to leave the lean times behind. The IMA’s endowment, which has covered close to 70 percent of operating expenses, is on the rebound and reached $324 million at the end of last year.
The unusual find occurred when the museum, which boasts the largest collection of T.C. Steele paintings in the country, shipped one of the Hoosier artist’s works to be cleaned by a conservator. He said the 122-year-old hidden canvas he found underneath was like a “King Tut” discovery.
