Eiteljorg’s Jingle Rails has become a multi-generational holiday tradition
More than 35,000 people last year came to the downtown museum to see the G-gauge train display.
More than 35,000 people last year came to the downtown museum to see the G-gauge train display.
There’s no denying the cinematic Western has helped define America—for good or ill.
Young professional boards, usually consisting of members ages 21 to 40, vary in size and responsibilities, but the groups are seen as a way to engage millennials.
When John Vanausdall took the job as Eiteljorg CEO 20 years ago, he never imagined it would lead to him trying to persuade an NFL team owner to support Indianapolis’ Super Bowl bid.
Thanks to CEO John Vanausdall’s friendship–and persistence–with Tennessee Titans owner Kenneth “Bud” Adams, the Eiteljorg will open the “Titan of the West” exhibit on Nov. 12.
Difficult to wrap your mind around when you are mere inches from its lip, it’s an even greater challenge to encapsulate in a museum show 1,700 miles away.
Suzanne "Susie" Maxwell, who has overseen strategic fundraising efforts at the Eiteljorg Museum of American Indians and Western Art for the past seven years, is stepping down, the museum announced Thursday.
The dismissal of five full-time workers marks the first layoffs for the downtown museum since 2009. But the Eiteljorg is preparing to launch a 5-year campaign to boost its $20 million endowment, a move that could stabilize operating revenue for future years.
The gift from the Bud Adams estate includes significant paintings by noted artists including Frederic Remington, Charles Marion Russell, N. C. Wyeth and Thomas Moran.
A new structure will allow for more canal-side programming for the museum, including concerts, storytelling, art projects, poetry readings and interactive activities.
The Eiteljorg Museum of American Indians and Western Art in downtown Indianapolis drew 161,000 visitors in 2014, topping its former record of 141,000 in 2011.
Ansel Adams, celebrated in an Eiteljorg show, changed the landscape for photography.
While I could look at most of the instruments on display at the new “Guitars: Roundups to Rockers” exhibition at the Eiteljorg with cool detachment, Woody Guthrie’s Martin 000-18 acoustic guitar stopped me.
Former merchandising director Judy McElfresh claims the museum failed to pay her for working more than 1,000 hours of overtime. Her suit seeks at least $75,000 in damages.
City leaders once envisioned the Canal Walk as a bustling pathway lined with restaurants and shops, but residential and office buildings have sprouted instead on most of the parcels along the meandering 1-1/2-mile stretch–making it more of a local amenity than a visitor attraction.
Those left in the lurch by financial promises unfulfilled by Joe Bilby are mystfied by his motives, since he seems not to have profited from any of it.
A 70-year-old Trafalgar man who made empty promises of multimillion-dollar gifts to local cultural institutions was sentenced to six years of probation Thursday morning in an unrelated check-fraud case.
The Eiteljorg’s “Steel Ponies” is a rare museum show that feels both surprisingly original and perfectly in line with its mission. Plus thoughts on Dan Barden’s new novel and a must-see Sondheim revival in Cincy.
The two downtown attractions are among several entities that purchased permits in November and now are seeking approval from county officials to sell liquor.
Two special exhibits drew a large number of first-time visitors.