When Dale Chihuly’s work is among the least interesting pieces on display, you know you’ve got a strong glass art show. Such is the case with Indianapolis Museum of Art’s “Masters of Contemporary Glass: Highlights from the Marilyn and Eugene Glick Collection.”
In its proposed budget for the next fiscal year, the Indianapolis Museum of Art will draw less than 6 percent of the endowment for operations. That’s down from nearly 8 percent in recent years and 6.6 percent in the current budget.
St. Louis Art Museum curator Tricia Paik was announced Monday as the Indianapolis Museum of Art's new curator of contemporary art.
“The Essential Robert Indiana,” at the Indianapolis Museum of Art, offers guidance in understanding the challenging artist and his work.
This week, I empty the notebook with thoughts on the IMA's contemporary galleries, a furniture show at the State Museum, a Beef &Boards farce and an ambitious new CD.
The IMA offers a brilliantly colored blockbuster while the opera presents a shark with no teeth
The artist who could not leave his country to attend the retrospective of his work at the Indianapolis Museum of Art compares U.S. to China.
Lisa Freiman directed the opening of the Virginia B. Fairbanks Art & Nature Park: 100 Acres in June 2010 at the Indianapolis Museum of Art. and is credited with transforming the experience of contemporary art in Indianapolis.
The five-year program is designed to transform the Indianapolis Museum of Art into a more visitor-centered institution. The first year will include enhancements to the upcoming Matisse show.
The eyes of the creative world are on Ai Weiwei. The Indianapolis Museum of Art offers a chance to put your eyes on his works. Plus, thoughts on the IBJ A&E “War Horse” road trip.
The museum said 19 full-time employees and two part-time employees will complete their employment Monday. Eight additional vacant positions will not be filled.
Indianapolis Museum of Art CEO Charles Venable plans to cut costs and use major exhibits to boost attendance—a strategy aimed at reducing the museum’s reliance on investment returns and allowing its endowment to grow back to pre-recession level.
The new head of the Indianapolis Museum of Art has reduced the size of his executive team, including cutting a top position, as an initial step to organization-wide restructuring.
The Indianapolis Museum of Art proves that the mineral isn’t just for pencils. Plus new shows at the Indianapolis Art Center.
At the IMA, an Islamic art show holds glorious surprises.
Save Our Scenic Central Canal, led by local activist Clarke Kahlo, is objecting to the proposed Art2Art project that would develop and decorate 4-1/2 miles along the Central Canal towpath.
What will be on the minds of A&E patrons and producers this season?
Charles L. Venable, 52, the director and CEO of the Speed Art Museum in Louisville since 2007, was chosen to replace Maxwell Anderson, who left the IMA in January to become director of the Dallas Museum of Art.
Indianapolis Museum of Art’s new ‘Snapshot’ exhibition examines the photography that inspired 7 artists. Plus, ‘Cabaret’ at the Athenaeum.
After three years of shrinking budgets, Indianapolis Museum of Art leaders are ready to leave the lean times behind. The IMA’s endowment, which has covered close to 70 percent of operating expenses, is on the rebound and reached $324 million at the end of last year.