CHAMPION OF INNOVATION: Curator takes risks at IMA
Scott Stulen admits much of what he’s doing as the Indianapolis Museum of Art’s first curator of audience experiences and performance isn’t what people expect from a cultural museum.
Indianapolis Museum of Art
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LOU’S VIEWS: The wheeled deal at the IMA
The fact that I never dreamed of cars didn’t diminish the appeal of “Dream Cars”
Indianapolis Museum of Art to launch preschool in fall
In a partnership between St. Mary’s Child Center and the Indianapolis Museum of Art, 16 slots are available for students to enroll in a new museum-housed preschool, with classes beginning in August.
Art hotels seeing payoff from galleries
Will hotel guests pay more to sleep under a Picasso or eat inside a piece of art posing as a bamboo hut? Some hoteliers say they already are.
Museum of Art rolls out changes under new admission fee
The changes are part of IMA’s transition from a primarily free-to-the-public facility to a ticketed attraction, which officially begins Tuesday.
LOU’S VIEWS: Wurm worms his way into the mind at the IMA
Empty platforms. Instructional drawings. Everyday objects. In “Erwin Wurm: Euclidean Exercises," visitors are prompted to stand on the platforms and pose.
LOU’S VIEWS: 2014 in A&E
Orangutans, ancient arriors, a fair lady, a great bicycle race, and more offered highlights of the year in Indy-area arts and entertainment.
IMA defends admission charge as complaints pile up
Officials at the Indianapolis Museum of Art are defending plans to charge an $18 admission fee as criticism rages among its supporters and on social media after the surprise announcement last week.
Museum of Art admission jumping from free to $18
The Indianapolis Museum of Art, which hasn’t charged an admission fee since 2007, will begin charging adults $18 for entry to the museum and gardens starting in April, the IMA announced Friday.
LOU’S VIEWS: O’Keeffe & friends hit Indianapolis Museum of Art
Ideally, a visitor to “Georgia O’Keeffe and the Southwestern Still Life” at the Indianapolis Museum of Art (through Feb. 15) should take at least two trips through the exhibit hall.
IMA CEO’s quest: artistic flourishes, but on a budget
Charles Venable inherited two years ago a museum with an elevated stature in the world of art but disappointing attendance figures and a penchant for over-spending its endowment to make ends meet.
LOU’S VIEWS: New/old Lichtenstein sculpture dominates IMA front yard
No question about it, “Five Brushstrokes” is bold. It’s also playful and welcoming.
LOU’S VIEWS: Neo-Impressionist show impresses at IMA
They shimmer. And that’s just the surface appeal of many of the works at this new exhibition.
LOU’S VIEWS: Glick glass exhibition at IMA shimmers with variety
When Dale Chihuly’s work is among the least interesting pieces on display, you know you’ve got a strong glass art show. Such is the case with Indianapolis Museum of Art’s “Masters of Contemporary Glass: Highlights from the Marilyn and Eugene Glick Collection.”
Art museum trimming reliance on endowment
In its proposed budget for the next fiscal year, the Indianapolis Museum of Art will draw less than 6 percent of the endowment for operations. That’s down from nearly 8 percent in recent years and 6.6 percent in the current budget.
Art museum taps veteran curator to lead endeavors
St. Louis Art Museum curator Tricia Paik was announced Monday as the Indianapolis Museum of Art's new curator of contemporary art.
LOU’S VIEWS: Trying to ‘LOVE’ artist Robert Indiana
“The Essential Robert Indiana,” at the Indianapolis Museum of Art, offers guidance in understanding the challenging artist and his work.
LOU’S VIEWS: Funky furniture, slamming doors and more
This week, I empty the notebook with thoughts on the IMA's contemporary galleries, a furniture show at the State Museum, a Beef &Boards farce and an ambitious new CD.
LOU’S VIEWS: On Matisse and Macheath
The IMA offers a brilliantly colored blockbuster while the opera presents a shark with no teeth
Ai Weiwei on the NSA: Shocking if American citizens allow this to continue
The artist who could not leave his country to attend the retrospective of his work at the Indianapolis Museum of Art compares U.S. to China.