Arts & Entertainment Season Preview
This year’s preview includes more than 120 recommendation, plus peeks inside Newfields’ Harvest festival, Bryan Fonseca’s new theater, and the process of booking Carmel’s Center for the Performing Arts.
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This year’s preview includes more than 120 recommendation, plus peeks inside Newfields’ Harvest festival, Bryan Fonseca’s new theater, and the process of booking Carmel’s Center for the Performing Arts.
Indy Art & Seek is a collaboration between the arts council and Keep Indianapolis Beautiful. Funded with a $674,520 grant from the Lilly Endowment Inc., the program will commission artists to create six large-scale, permanent installations in green spaces around the city, along with 100 smaller, temporary installations.
Japanese artist Yayoi Kusama’s Infinity Rooms have proven wildly popular at museums in large cities worldwide; visitors have often waited in winding, hours-long lines that snake around museums to experience them.
The festival from Oct. 3-6 is about offering visitors a vast array of choices over 50 acres to celebrate autumn’s cultural and creative endeavors, stemming from farms, orchards, markets, wineries, breweries and farm-to-fork culinary arts.
After 8 years, the Center for the Performing Arts in Carmel continues to learn what works and what doesn’t.
On the brink of her final season with the ICO (and in the midst of a $2.2 million capital campaign), Eckhart took time for a chat with IBJ.
Fringe on Wheels is a whizzbang customized van complete with a foldout stage, stunning lights and an amazing sound system. Funded with a $49,000 Lilly Endowment grant, the van brings live theater, music, poetry readings and more to locations that might lack exposure to the arts.
In 2018 his Fonseca Theatre jumped headlong into a full season of plays focused on diversity and issue-driven theater, using Indy Convergence and other existing spaces. At the same time, Fonseca and his team purchased and began renovating a new theater.
What will be the chatter be in the Indy arts community this fall? These are just some of the topics you are likely to overhear.
Welcome to the 2019/2020 central Indiana arts season. I say that assuming you are an audience member and not one of the thousands of local arts professionals and talented non-pros. Many of those folks have already been hard at work creating and curating what you’ll see on stages and in galleries and experience elsewhere over the coming months.
Anytime I break down a financial life, I explore three distinct areas. I look for long-term financial stability, midterm financial stability and, you guessed it, short-term financial stability.
Reporting on poverty taught me the mantra, “nothing about us without us.” We must listen to those we are trying to help.
Teens today are getting addicted to nicotine through vaping—without ever having tried a cigarette. And while that may be better than teens becoming addicted to smoking, it’s even better if they never start at all.
The bleak transformation of the neighborhood surrounding the ever-expanding Children’s Museum of Indianapolis is one thing; the museum’s total indifference to the significance of Meridian Street and the transit goals of the city is another.
The attraction, retention and development of talent determines our region’s prosperity. Enhancing the viability of Indianapolis as a place to live and work is a dominant priority for business and government leaders. It is our best way to compete as a region.
Editorials in the Aug. 23 Forefront from State Rep. Jim Lucas and cartoonist Gary Varvel provide disturbing commentary from people who should keep their quills holstered with their guns.
I recently returned from traveling to Atlanta for a long weekend. I was amazingly impressed by the Ponce City Market and how much the city has embraced it as a destination spot to shop, eat and socialize.
Speak up and speak out to our government representatives before further damage is done to our economy.
Government debt problems have led many nations to disaster. Debt can bring an economic crash to America also.
Virtual schools, like district public and private schools, are not all the same. It is time for policymakers and public communities to recognize that; there are bound to be a few in education who act as if they are above the law.