LOU’S VIEWS: Latest Eiteljorg show plumbs depths of the Grand Canyon
Difficult to wrap your mind around when you are mere inches from its lip, it’s an even greater challenge to encapsulate in a museum show 1,700 miles away.
Difficult to wrap your mind around when you are mere inches from its lip, it’s an even greater challenge to encapsulate in a museum show 1,700 miles away.
Suzanne "Susie" Maxwell, who has overseen strategic fundraising efforts at the Eiteljorg Museum of American Indians and Western Art for the past seven years, is stepping down, the museum announced Thursday.
The dismissal of five full-time workers marks the first layoffs for the downtown museum since 2009. But the Eiteljorg is preparing to launch a 5-year campaign to boost its $20 million endowment, a move that could stabilize operating revenue for future years.
The works of five selected artists are on display at the museum, which showcases western art and the works of Native Americans. Past fellowship shows have served to increase the museum’s world-class collection of Native American contemporary art. No doubt some of these pieces will find a permanent home here.
The gift from the Bud Adams estate includes significant paintings by noted artists including Frederic Remington, Charles Marion Russell, N. C. Wyeth and Thomas Moran.
A new structure will allow for more canal-side programming for the museum, including concerts, storytelling, art projects, poetry readings and interactive activities.
There are no “Cash for Gold” placard-wearers in the “Gold! Riches and Ruin” exhibition. But a clear message is nonetheless delivered
The Eiteljorg Museum of American Indians and Western Art in downtown Indianapolis drew 161,000 visitors in 2014, topping its former record of 141,000 in 2011.
Annual “Quest for the West” exhibition stresses the familiar over the innovative. And that’s just how collectors like it.
Ansel Adams, celebrated in an Eiteljorg show, changed the landscape for photography.
Local philanthropists Frank and Katrina Basile are the first major donors in a $5 million campaign for the Eiteljorg Museum of American Indians and Western Art.
Thoughts on the Eiteljorg’s biennial contemporary art show. Plus reviews of ATI’s ‘Odd Couple’ and John Lithgow’s solo show.
It would be foolish to go to the Eiteljorg Museum’s “Quest for the West” show (through Oct. 6) looking for surprises. This is, after all, an invitational show focused on pleasing collectors of conservative western art who, in Indy for the show’s opening, purchase most of what’s shown.
While I could look at most of the instruments on display at the new “Guitars: Roundups to Rockers” exhibition at the Eiteljorg with cool detachment, Woody Guthrie’s Martin 000-18 acoustic guitar stopped me.
Whether in a dog-eared magazine or on the gallery walls of the Eiteljorg Museum of American Indians and Western Art, the photography from National Geographic magazine continues to stun.
Thoughts on “Best of the West” at the Eiteljorg and NoExit Performance’s “Closer.”
Former merchandising director Judy McElfresh claims the museum failed to pay her for working more than 1,000 hours of overtime. Her suit seeks at least $75,000 in damages.
City leaders once envisioned the Canal Walk as a bustling pathway lined with restaurants and shops, but residential and office buildings have sprouted instead on most of the parcels along the meandering 1-1/2-mile stretch–making it more of a local amenity than a visitor attraction.
The Eiteljorg’s “Steel Ponies” is a rare museum show that feels both surprisingly original and perfectly in line with its mission. Plus thoughts on Dan Barden’s new novel and a must-see Sondheim revival in Cincy.
The two downtown attractions are among several entities that purchased permits in November and now are seeking approval from county officials to sell liquor.